"8 Préludes pour le piano: I. Grave" by Frank Martin, Daniel Spiegelberg was released on 1991. The duration of 8 Préludes pour le piano: I. Grave is about 3 minutes long, at 3:14. Based on our data, "8 Préludes pour le piano: I. Grave" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 20 in Frank Martin: Complete Piano Solo Works by Frank Martin, Daniel Spiegelberg. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Based on our statistics, 8 Préludes pour le piano: I. Grave's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of 8 Préludes pour le piano: I. Grave by Frank Martin, Daniel Spiegelberg is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Sprüche, Op. 79 (Ed. J. Jordan): No. 2, Am Neujahrstage | Felix Mendelssohn, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Psalm 100: "Jauchzet dem Herrn, alle Welt", MWV B. 45 | Felix Mendelssohn, MDR Leipzig Radio Choir, Philipp Ahmann | F Major | 1 | 7B | 75 BPM | ||
Missa Maria Magdalena: Agnus Dei | Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin | D Major | 1 | 10B | 86 BPM | ||
Annelies (chamber version): XIV. Anne's meditation | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | F♯ Minor | 0 | 11A | 129 BPM | ||
Diptych: I. The Lord's Prayer | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 68 BPM | ||
Requiem: Salvator Mundi | Herbert Howells, Conspirare, Craig Hella Johnson | G Major | 0 | 9B | 126 BPM | ||
Mass of the Americas: IX. Salve regina | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | E Major | 3 | 12B | 88 BPM | ||
Breath Alone: Paula Modersohn-Becker (Version for 2 Sopranos and Chamber Orchestra) | Cecilia Livingston, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Golgotha: Part II: Jesus devant le Sanhedrin: Christ! Divin Sauveur (Tutti) | Frank Martin, Barbara Locher, Liliane Zürcher, Rolf Romei, Michel Brodard, Rene Koch, Luzerner Knabenkantorei, Akadamiechor Luzern, Kantorei der Stiftskirche Stuttgart, Peter Baur, Kay Johannsen, Solistensemble der Musikhochschule Luzern, Berliner Symphoniker, Alois Koch | A Major | 1 | 11B | 85 BPM | ||
Mass in D major, Op. 86: 2. Gloria | Antonín Dvořák, Neil Ritchie, Andrew Giles, Alan Byers, Robert Morton, Christ Church Cathedral Choir, Oxford, Nicholas Cleobury, Simon Preston | E Major | 0 | 12B | 145 BPM |
Section: 0.628248929977417
End: 1.2268543243408203