- BPM
- 106
- Key
- C Major
- Camelot
- 8B
Ave Maria (after J.S. Bach) - Charles Gounod, Caffee Concerto Information
- Acousticness
- 98%
- Danceability
- 17%
- Energy
- 20%
- Instrumentalness
- 24%
- Liveness
- 10%
- Loudness
- 76%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 14%
- Loudness
- -14.427 dB
Summary
"Ave Maria (after J.S. Bach)" by Charles Gounod, Caffee Concerto was released on January 1, 2009. Ave Maria (after J.S. Bach) is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. There is only one song in 100 Most Essential Classical Favorites, so we believe that "Ave Maria (after J.S. Bach)" is a single. In terms of popularity, Ave Maria (after J.S. Bach) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Ave Maria (after J.S. Bach) BPM
The tempo marking of Ave Maria (after J.S. Bach) by Charles Gounod, Caffee Concerto is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Ave Maria (after J.S. Bach) Key
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Vivaldi: Violin Concerto in F Major, RV 293 "L'autunno" (No. 3 from "Il cimento dell'armonia e dell'inventione", Op. 8): II. Adagio molto | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | B Minor | 0 | 10A | 112 BPM | |
 | Ev'ry Valley Shall Be Exalted - Tenor | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | E Major | 1 | 12B | 107 BPM | |
 | "Für Elise" Bagatelle No. 25 in A Minor (feat. Sarah Ainsworth) | The Royal Festival Orchestra, William Bowles, Sarah Ainsworth | A Minor | 1 | 8A | 121 BPM | |
 | Gounod: Ave Maria, CG 89a | Charles Gounod, Johann Sebastian Bach, Sœur Marie Keyrouz, Arie Van Beek, Orchestre De Chambre D'Auvergne | F Major | 1 | 7B | 91 BPM | |
 | Songs Without Words, Op. 62: No. 6 in A Major: Molto allegro vivace "Fruhlinglied" (Spring Melody) | Felix Mendelssohn, Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra | A Major | 3 | 11B | 89 BPM | |
 | Kinderszenen, Op. 15: 7. Träumerei (Arr. for Cello & Orchestra) | Budapest Strings, Béla Bánfalvi, Károly Botvay | F Major | 1 | 7B | 90 BPM | |
 | Jocelyn, Suite No. 2: Berceuse | Benjamin Godard, Slovak Radio Symphony Orchestra, Ondrej Lenard | F Major | 0 | 7B | 92 BPM | |
 | Ave Maria, dolce Maria | Vittoriano Benvenuti, José Carreras, Plácido Domingo, Luciano Pavarotti, Steven Mercurio, Wiener Symphoniker | F♯ Major | 3 | 2B | 83 BPM | |
 | Mozart: 3 German Dances, K. 605: No. 3 in C Major, "Die Schlittenfahrt" | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 66 BPM | |
 | 12 Morceaux, Op. 40: No. 2. Chanson triste (arr. for cello and strings) | Anonymous, Pyotr Ilyich Tchaikovsky, Karoly Botvay, Budapest Strings | G Minor | 1 | 6A | 87 BPM |
- ISRC
- USSJ10804244
- Label
- L-M Records/RCA Records
Section: 0.5999875068664551
End: 0.6045751571655273