"Verleih' Uns Frieden Genädiglich, Cantate Bwv 42" by Nicol Matt, Soloist Of The Freiburger Barockorchester, Jörg Halobek, Heike Hümmer, Martina Rotbauer, Ute Petersilge, Nordic Chamber Choir, Jens Wollenschläger, Johann Sebastian Bach, Robert Sagasser was released on March 28, 2007. With Verleih' Uns Frieden Genädiglich, Cantate Bwv 42 being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 41 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Verleih' Uns Frieden Genädiglich, Cantate Bwv 42 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Verleih' Uns Frieden Genädiglich, Cantate Bwv 42 by Nicol Matt, Soloist Of The Freiburger Barockorchester, Jörg Halobek, Heike Hümmer, Martina Rotbauer, Ute Petersilge, Nordic Chamber Choir, Jens Wollenschläger, Johann Sebastian Bach, Robert Sagasser is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toccata In G | Dietrich Buxtehude, Bjørn Andor Drage | G Major | 1 | 9B | 67 BPM | ||
Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 65: No. 7, "Vom Gebirge Well auf Well" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | C Major | 2 | 8B | 162 BPM | ||
Jesu, meine Freude, BuxWV 60: VI. Gute Nacht, ihr Sünden | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Caroline Weynants, Ensemble Masques, Olivier Fortin | E Minor | 0 | 9A | 125 BPM | ||
VI. Herrscher über Tod und Leben (Choral) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Chorus Musicus Köln, Erika Tandiono, Sofia Pavone, Daniel Johannsen, Tobias Berndt | E♭ Major | 2 | 5B | 63 BPM | ||
Deutsche Messe, D. 872: Zum Eingang: Massig | Franz Schubert, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Solomon, HWV 67, Act I Scene 1: No. 4 "With pious heart, and holy tongue" (Chorus of Priests) | George Frideric Handel, RIAS Kammerchor, Daniel Reuss, Akademie für Alte Musik Berlin | D Minor | 1 | 7A | 77 BPM | ||
Jesu meine Freude, TWV 1:966: VII. Wie binich doch so herzlich froh | Georg Philipp Telemann, Gutenberg Soloists, Neumeyer Consort, Felix Koch | F♯ Major | 1 | 2B | 95 BPM | ||
Concerto à 5 in C Major for Two Oboes and Strings, Op. 9 No. 9: II. Adagio | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Kammerorchester, Nicol Matt | A Minor | 2 | 8A | 64 BPM | ||
Concerto in B-Flat Major for Oboe Solo and Strings, Op. 7 No. 3: II. Adagio | Tomaso Albinoni, Stefan Schilli, Stuttgart Kammerorchester, Nicol Matt | G Minor | 1 | 6A | 47 BPM |
Section: 0.8779833316802979
End: 0.8817224502563477