Johann Adolf Hasse, Julien Chauvin, Le Concert de la Loge made "Hasse: Demofoonte, Sinfonia: II. Andantino" available on October 27, 2023. With Hasse: Demofoonte, Sinfonia: II. Andantino being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 16 in Forgotten Arias by Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Hasse: Demofoonte, Sinfonia: II. Andantino is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Hasse: Demofoonte, Sinfonia: II. Andantino by Johann Adolf Hasse, Julien Chauvin, Le Concert de la Loge is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in A Major, H. 660, Wq. 182/4: III. Allegro assai | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Mayumi Hirasaki | D♭ Major | 1 | 3B | 140 BPM | ||
Sinfonia No. 4 in si minore (Morte e sepoltura di Christo): IV. Allegro assai | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Concerti a più istrumenti in G Major, Op. 6 No. 5, III. Allegro | Evaristo Felice Dall'Abaco, Davide Monti, Il Tempio Armonico, Orchestra Barocca di Verona, Alberto Rasi | F♯ Major | 2 | 2B | 126 BPM | ||
Messe pour le sacre de Napoléon: V. Gloria, Domine Deus | Giovanni Paisiello, Sandrine Piau, Chantal Santon Jeffery, Éléonore Pancrazi, Mathias Vidal, Thomas Dolie, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | C Major | 1 | 8B | 67 BPM | ||
Schürmann: Die getreue Alceste: Sinfonia pour la tempête (1719 Hamburg Version) | Georg Caspar Schürmann, Lea Desandre, Jupiter, Thomas Dunford | D♭ Minor | 6 | 12A | 148 BPM | ||
Concerto No. 1 in E-Flat Major for Trumpet, Strings and B.C.: II. Larghetto | Johann Wilhelm Hertel, Andre Schoch, Stuttgart Chamber Orchestra | C Minor | 1 | 5A | 127 BPM | ||
Oboe Concerto in D Minor, Op. 9 No. 2: III. Allegro | Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel Gerstein | E Minor | 0 | 9A | 106 BPM | ||
Himmelskonig, sei willkommen, BWV 182: Sonata | Johann Sebastian Bach, Regine Jurda, Maximilian Kiener, Franz Schlecht, Arcis-Vocalisten Munich, L'arpa Festante, Thomas Gropper | D Major | 8 | 10B | 102 BPM | ||
Miserere in C Minor (Version for Mixed Choir): IV. Libera me de sanguinibus Deus | Johann Adolf Hasse, Accademia Barocca Lucernensis, Alberto Miguélez Rouco, Unknown Artist, Javier Ulises Illán | A Major | 2 | 11B | 75 BPM | ||
Traetta: L'Olimpiade, Act 2: "Dove son? Che m’avenne?" (Licida) | Tommaso Traetta, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge | D Major | 1 | 10B | 65 BPM |
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