"Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan": II. Andante" by Wolfgang Amadeus Mozart, Carmen Piazzini, Mikhail Gantvarg, The St. Petersburg Soloists was released on June 15, 2020. Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan": II. Andante is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. There are a total of 3 in the song's album "Piano Concerto No. 21 Mozart". In this album, this song's track order is #2. Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan": II. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan": II. Andante by Wolfgang Amadeus Mozart, Carmen Piazzini, Mikhail Gantvarg, The St. Petersburg Soloists having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 21 in C Major, K.467: 2. Andante | Wolfgang Amadeus Mozart, András Schiff, Sándor Végh, Camerata Salzburg | F Major | 0 | 7B | 64 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Peer Gynt, Op.23 - Incidental Music: No.13. Morning Mood | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | E Major | 0 | 12B | 66 BPM | ||
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre | Karoly Botvay | D♭ Minor | 0 | 12A | 88 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Le Nozze di Figaro (The Marriage of Figaro), K. 492: Overture | Donato Di Stefano, Natale de Carolis, Hungarian State Opera Orchestra, Patrizia Pace, Jozsef Mukk, Maria Pia Ionata, Roberto Frontali, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | D Major | 1 | 10B | 141 BPM | ||
Clarinet Quintet in A, K.581: 1. Allegro | Wolfgang Amadeus Mozart, Fabrizio Meloni, Marco Rizzi, Laura Bortolotto, Danilo Rossi, Giovanni Gnocchi | A Major | 1 | 11B | 130 BPM | ||
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM | ||
Concerto No. 20 in D Minor for Piano and Orchestra, K. 466: II. Romance | Carmen Piazzini | E♭ Major | 1 | 5B | 77 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM |
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