- BPM
- 114
- Key
- A Minor
- Camelot
- 8A
Delusion of the Fury: Act II: Treats with Life and with Life Despite Life: The host Kid - Harry Partch, John Stannard, Victoria Bond, Paul Bergen, Ensemble of Unique Instruments, Danlee Mitchell Information
- Acousticness
- 88%
- Danceability
- 50%
- Energy
- 34%
- Instrumentalness
- 75%
- Liveness
- 56%
- Loudness
- 69%
- Speechiness
- 4%
- Valence
- 14%
- Popularity
- 1%
- Loudness
- -18.679 dB
Summary
"Delusion of the Fury: Act II: Treats with Life and with Life Despite Life: The host Kid" by Harry Partch, John Stannard, Victoria Bond, Paul Bergen, Ensemble of Unique Instruments, Danlee Mitchell was released on January 1, 1999. The duration of Delusion of the Fury: Act II: Treats with Life and with Life Despite Life: The host Kid is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Delusion of the Fury: Act II: Treats with Life and with Life Despite Life: The host Kid's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Partch, H.: Delusion of the Fury". In this album, this song's track order is #10. In terms of popularity, Delusion of the Fury: Act II: Treats with Life and with Life Despite Life: The host Kid is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Delusion of the Fury: Act II: Treats with Life and with Life Despite Life: The host Kid BPM
With Delusion of the Fury: Act II: Treats with Life and with Life Despite Life: The host Kid by Harry Partch, John Stannard, Victoria Bond, Paul Bergen, Ensemble of Unique Instruments, Danlee Mitchell having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
Delusion of the Fury: Act II: Treats with Life and with Life Despite Life: The host Kid Key
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Long Departed Lover | Harry Partch | D Minor | 0 | 7A | 166 BPM | |
 | G Song | Terry Riley | G Minor | 3 | 6A | 74 BPM | |
 | Music for Marcel Duchamp (1947) | John Cage, Stephen Drury | B♭ Minor | 0 | 3A | 109 BPM | |
 | Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | |
 | Eleven Instrusions VII: The Street | Harry Partch, Bill Snead, Ben Johnston, Donald Pippin, Betty Johnston | E♭ Major | 1 | 5B | 86 BPM | |
 | Anthem of the Trinity - Instrumental | Terry Riley | F♯ Minor | 1 | 11A | 101 BPM | |
 | The Sinking of the Titanic: 10. Last Hymn | Gavin Bryars, Gavin Bryars Ensemble | D♭ Major | 0 | 3B | 70 BPM | |
 | Főcím - From "Őszi Almanach" | Víg Mihály | C Major | 0 | 8B | 99 BPM | |
 | Forgotten Dreams #4 | Ernst Reijseger | G Major | 1 | 9B | 123 BPM | |
 | The Firebird: Berceuse (Arr. For theremin and piano) | Igor Stravinsky, Clara Rockmore, Nadia Reisenberg | B Major | 0 | 1B | 104 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5724420547485352
End: 0.5777044296264648