"Giselle - Act 2: No. 14 Scène des Wilis (Entrée d'Hilarion)" by Adolphe Adam, London Symphony Orchestra, Anatole Fistoulari had its release date on January 1, 1996. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Giselle - Act 2: No. 14 Scène des Wilis (Entrée d'Hilarion)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 25 in Adam: Giselle/Offenbach: Gaité Parisienne; Strauss, J. II: Graduation Ball by Adolphe Adam, London Symphony Orchestra, Anatole Fistoulari, Minnesota Orchestra, Antal Doráti. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Giselle - Act 2: No. 14 Scène des Wilis (Entrée d'Hilarion)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Giselle - Act 2: No. 14 Scène des Wilis (Entrée d'Hilarion) by Adolphe Adam, London Symphony Orchestra, Anatole Fistoulari is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le pavillon d'Armide: Variation - Allegro - Moderato tranquillo - Vivace - Grave. Maestoso e molto sostenuto | Nikolai Tcherepnin, Moscow Symphony Orchestra, Henry Shek | E Major | 0 | 12B | 79 BPM | ||
Paulli: Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 2, Adage | Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | B♭ Major | 0 | 6B | 177 BPM | ||
Vienna Blood - Waltz Op. 354 | Johann Strauss II, Hallé, Bryden Thomson | C Major | 0 | 8B | 178 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Gayaneh: Sabre Dance | Aram Khachaturian, Valery Gergiev, Mariinsky Orchestra | C Major | 6 | 8B | 98 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
アルミードの館 | Alexander Tcherepnin, Moscow Symphony Orchestra, Henry Shek | E Minor | 1 | 9A | 147 BPM | ||
Giselle: Act II: Variation de Giselle | Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 2 | 5B | 83 BPM | ||
Valse-Caprice in E-Flat Major | Anton Rubinstein, Yevgeny Svetlanov, USSR State Symphony Orchestra | E♭ Major | 3 | 5B | 124 BPM | ||
Le Corsaire: Pas de Trois - Conrad Variation | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | E♭ Major | 1 | 5B | 175 BPM |