"2. Notenbüchlein für Anna Magdalena Bach: I. No. 35, Schaffs mit mir, Gott, nach deinem Willen, BWV 514" by Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto was released on April 26, 2024. With 2. Notenbüchlein für Anna Magdalena Bach: I. No. 35, Schaffs mit mir, Gott, nach deinem Willen, BWV 514 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan's "J.S. Bach - The Vocal Works" album is number 17 out of 42. On top of that, Sweden appears to be the country where this track was created. 2. Notenbüchlein für Anna Magdalena Bach: I. No. 35, Schaffs mit mir, Gott, nach deinem Willen, BWV 514 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 2. Notenbüchlein für Anna Magdalena Bach: I. No. 35, Schaffs mit mir, Gott, nach deinem Willen, BWV 514 by Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Matthäus-Passion: Zweiter Teil, 36a. Evangelista, Pontifex, Jesus Und der Hohepriester antwortete 36b. Chorus I & II Er ist des Todes schuldig 36c. Evangelista Da speieten sie aus in sein Angesicht 36d. Chorus I & II Weissage uns, Christe | Johann Sebastian Bach, Werner Güra, Ingolf Horenburg, Johannes Weisser, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 91 BPM | ||
Gelobet sei der Herr, TWV 1:602/1216: Singt gegeneinander | Georg Philipp Telemann, Kölner Akademie, Michael Alexander Willens | D♭ Major | 2 | 3B | 121 BPM | ||
Gottes Zeit ist der allerbeste Zeit "Actus Tragicus", BWV 106: Gottes Zeit ist der allerbeste Zeit "Actus Tragicus", BWV 106: Aria | Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Carlos Mena, Stephan MacLeod | F Minor | 1 | 4A | 82 BPM | ||
II. Lobe Den Herrn, Meine Seele BWV 143, For New Year's Day, Am Neujahrstag: Coro, Lobe Den Herrn, Meine Seele | Pieter Jan Leusink, Ruth Holton, Teunis van der Zwart, Nico Van Der Meel, Louis Van Emmerik, Johann Sebastian Bach, Bas Ramselaar, Sytse Buwalda, Frank Aarnink, Helen Macdougall, Amsterdam Classics B.V., Jean Van Vugt, Erwin Wieringa, Holland Boys Choir, Netherlands Bach Collegium | B Major | 1 | 1B | 129 BPM | ||
Eilt zu, ruft laut, ihr längst verlangten Boten, TWV 1:415: No. 2, Was macht dein göttlich wahrer Mund | Georg Philipp Telemann, Hanna Herfurtner, Carola Gunther, Mirko Ludwig, Fabian Strotmann, Peter Kooij, Die Kölner Akademie, Michael Alexander Willens | F♯ Major | 1 | 2B | 95 BPM | ||
Weinen, Klagen, Sorgen, Zagen, BWV 12: Aria: Sei getreu (Tenor) | Johann Sebastian Bach, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper | F♯ Minor | 1 | 11A | 71 BPM | ||
I. Herr Jesu Christ, Du Höchstes Gut BWV 113, Coro: Herr Jesu Christ, Du Höchstes Gut | Pieter Jan Leusink, Ofer Frenkel, Peter Frankenberg, Sytse Buwalda, Holland Boys Choir, Netherlands Bach Collegium, Johann Sebastian Bach, Ruth Holton, Bas Ramselaar, Knut Schoch, Kate Clark | G Major | 2 | 9B | 124 BPM | ||
Jesu, Meine Freude Bwv 358 | Nicol Matt, Heike Hümmer, Soloists Of The Freiburger Barockorchester, Johann Sebastian Bach, Robert Sagasser, Nordic Chamber Choir, Jens Wollenschläger, Jörg Halobek, Martina Rotbauer, Ute Petersilge | D♭ Minor | 1 | 12A | 0 BPM | ||
Ich fahre auf zu meinem Vater, TWV 1:825: IV. Recitative "Denn eben darum setzte sich mein Jesu" | Georg Philipp Telemann, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, William Shelton | F♯ Major | 2 | 2B | 137 BPM | ||
Brockes-Passion, TWV 5:1, Teil I: No. 9, Choral "Ach, wie hungert mein Gemüte" | Georg Philipp Telemann, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | A Major | 1 | 11B | 81 BPM |
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