"Requiem: XI. Lux Aeterna - Radio Cut" by Michael John Trotta, Tenebrae, Nigel Short was released on March 8, 2024. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Requiem: XI. Lux Aeterna (Radio Cut) only contains only one song in the album, we like to consider this song as a single. Requiem: XI. Lux Aeterna - Radio Cut is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem: XI. Lux Aeterna - Radio Cut by Michael John Trotta, Tenebrae, Nigel Short having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in G Minor: II. Gloria | Ralph Vaughan Williams, The Choir Of Westminster Abbey, James O'Donnell | C Major | 1 | 8B | 71 BPM | ||
Missa "Mater Patris": Vultum tuum | Josquin des Prez, Jerycho, Bartosz Izbicki | C Minor | 2 | 5A | 79 BPM | ||
Premium Sunsets. | Heidi en Berlín | D Major | 1 | 10B | 131 BPM | ||
Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): VIII. Agnus Dei | Philip Stopford, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | B♭ Major | 2 | 6B | 70 BPM | ||
Jehova, quam multi sunt hostes mei, Z. 135 | Henry Purcell, Francis Williams, Thomas Lynch, Westminster Kantorei, Daniel Boring, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 89 BPM | ||
An Easter Sequence | Kenneth Leighton, Salisbury Cathedral Boys & Girls Choir, David Halls, Simon Lole | G Major | 2 | 9B | 85 BPM | ||
Uti vår hage | Hugo Alfvén, Simon Phipps, Swedish Chamber Choir | A Minor | 3 | 8A | 100 BPM | ||
Troparion: O Theotokos | Timo Ruottinen, Tampere Orthodox Choir | D Major | 1 | 10B | 135 BPM | ||
O Domine Iesu Christe: Pars IV | Josquin des Prez, Odhecaton, Paolo da Col | F Major | 1 | 7B | 128 BPM | ||
Drop down, ye heavens, from above | Judith Weir, Choir of Gonville & Caius College, Cambridge, Geoffrey Webber | D Minor | 1 | 7A | 77 BPM |
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