"Concerto, H. 445 (Wq. 169) in G: Largo" by James Galway was released on 1978. Since Concerto, H. 445 (Wq. 169) in G: Largo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in James Galway's "James Galway plays Flute Concertos - Sony Classical Masters" album is number 2 out of 142. On top of that, United States appears to be the country where this track was created. Concerto, H. 445 (Wq. 169) in G: Largo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto, H. 445 (Wq. 169) in G: Largo by James Galway to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Arrival of the Queen of Sheba - from Solomon | George Frideric Handel, James Galway, Chamber Orchestra of Europe | A♭ Major | 2 | 4B | 82 BPM | ||
Ave Maria: Arr. from Bach's Prelude No. 1, BWV 846 (Arr. by Maisky) | Charles Gounod, Pavel Gililov, Mischa Maisky | C Major | 1 | 8B | 89 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
16 Waltzes, Op. 39 (arr. for orchestra): 16 Waltzes, Op. 39: No. 15. in A flat major (arr. for orchestra) | Various Artists | F Major | 0 | 7B | 65 BPM | ||
Act I: Largo | George Frideric Handel, James Galway, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | F Major | 1 | 7B | 76 BPM | ||
The Victorian Kitchen Garden - Suite: Prelude | Paul Reade, Emma Johnson, Skaila Kanga | B♭ Major | 0 | 6B | 67 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, Valery Gergiev, Wiener Philharmoniker | F Major | 1 | 7B | 84 BPM | ||
The Waltzing Cat | Leroy Anderson, Simon Tedeschi, Paul Mann, Melbourne Symphony Orchestra | G Major | 1 | 9B | 134 BPM | ||
Flute and Harp Concerto in C, K.299: II. Andantino | Fritz Helmis, Herbert von Karajan, Berliner Philharmoniker, James Galway | C Major | 1 | 8B | 117 BPM |
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