- BPM
- 92
- Key
- F♯ Major
- Camelot
- 2B
Silent Woods, Op. 68/5 - version for Cello and Piano: Silent Woods - Antonín Dvořák, Alisa Weilerstein, Anna Polonsky Information
- Acousticness
- 98%
- Danceability
- 17%
- Energy
- 3%
- Instrumentalness
- 93%
- Liveness
- 10%
- Loudness
- 53%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 38%
- Loudness
- -28.399 dB
Summary
"Silent Woods, Op. 68/5 - version for Cello and Piano: Silent Woods" by Antonín Dvořák, Alisa Weilerstein, Anna Polonsky was released on January 1, 2014. With this song being about 5 minutes long, at 5:03, "Silent Woods, Op. 68/5 - version for Cello and Piano: Silent Woods" by Antonín Dvořák, Alisa Weilerstein, Anna Polonsky is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 9 in Dvořák by Antonín Dvořák, Alisa Weilerstein, Czech Philharmonic Orchestra, Jiří Bělohlávek, Anna Polonsky. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Silent Woods, Op. 68/5 - version for Cello and Piano: Silent Woods is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Silent Woods, Op. 68/5 - version for Cello and Piano: Silent Woods BPM
The tempo marking of Silent Woods, Op. 68/5 - version for Cello and Piano: Silent Woods by Antonín Dvořák, Alisa Weilerstein, Anna Polonsky is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Silent Woods, Op. 68/5 - version for Cello and Piano: Silent Woods Key
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Chanson de Matin, Op.15, No.2 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Major | 1 | 9B | 89 BPM | |
 | Intermezzo (Cavalleria Rusticana) | Domenico Monleone, Pietro Mascagni, HAUSER, Robert Ziegler, London Symphony Orchestra | F Major | 4 | 7B | 87 BPM | |
 | 2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | |
 | Symphony No. 8 in G Minor, Op. 88, B. 163: I. Allegro con brio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 139 BPM | |
 | Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | |
 | Andante Spianato: Tranquillo | Frédéric Chopin, Idil Biret, Slovak State Philharmonic Orchestra, Kosice, Robert Stankovsky | G Major | 0 | 9B | 61 BPM | |
 | Nocturne No. 2 in C Minor, H.25 | John Field, Elizabeth Joy Roe | C Minor | 1 | 5A | 80 BPM | |
 | Klid (Silent Woods), Op. 68/5 | Antonín Dvořák, Jean-Guihen Queyras | D♭ Major | 1 | 3B | 75 BPM | |
 | Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | |
 | 4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM |
- ISRC
- GBF071302730
- Label
- L-M Records/RCA Records
Section: 0.8836662769317627
End: 0.8871173858642578