"Saint-Saëns / Transcr. Vidal: Le carnaval des animaux: XIII. Le cygne" by Camille Saint-Saëns, Gautier Capuçon, Douglas Boyd, Orchestre de chambre de Paris was released on February 2, 2018. The duration of Saint-Saëns / Transcr. Vidal: Le carnaval des animaux: XIII. Le cygne is about 3 minutes long, at 3:28. Based on our data, "Saint-Saëns / Transcr. Vidal: Le carnaval des animaux: XIII. Le cygne" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Gautier Capuçon's "Intuition" album is number 3 out of 15. Saint-Saëns / Transcr. Vidal: Le carnaval des animaux: XIII. Le cygne is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Saint-Saëns / Transcr. Vidal: Le carnaval des animaux: XIII. Le cygne by Camille Saint-Saëns, Gautier Capuçon, Douglas Boyd, Orchestre de chambre de Paris to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Main Theme (From "Schindler's List") | John Williams, Gautier Capuçon, Johanna Malangré, Orchestre national de Bretagne | A♭ Minor | 2 | 1A | 113 BPM | ||
Lo, the full, final sacrifice, Op. 26: Amen - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Major | 1 | 12B | 112 BPM | ||
Full Moon (Arr. Lewin for Guitar) | Ludovico Einaudi, Miloš Karadaglić | A♭ Major | 0 | 4B | 101 BPM | ||
Chen / Orch. Ducros: You and Me | Qigang Chen, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de Paris | E♭ Major | 1 | 5B | 126 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Lieder ohne Worte, Op. 30/6: Allegretto tranquillo "Venetianisches Gondellied" | Felix Mendelssohn, Javier Perianes | F♯ Minor | 0 | 11A | 131 BPM | ||
Tchaikovsky : String Quartet No.1 in D major, Op.11 : II Andante cantabile | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantin Orbelian, Moscow Chamber Orchestra | B Major | 1 | 1B | 94 BPM | ||
Ave María (Arr. Víkingur Ólafsson) - Grand Piano | Sigvaldi Kaldalóns, Víkingur Ólafsson | E♭ Major | 0 | 5B | 101 BPM | ||
Après un rêve, Op. 7, No. 1 (Arr. for Cello and Piano) | Gabriel Fauré, Sheku Kanneh-Mason, Isata Kanneh-Mason | G Minor | 0 | 6A | 112 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM |
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