Lorenzo Perosi, Carlo Benatti, WonSory, Gina Ianni made "Successa è una disgrazia" available on May 8, 2020. The duration of Successa è una disgrazia is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Successa è una disgrazia's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Viral Compilation (Classical) by Various Artists. The song's track number on the album is #12 out of 45 tracks. In terms of popularity, Successa è una disgrazia is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Successa è una disgrazia by Lorenzo Perosi, Carlo Benatti, WonSory, Gina Ianni has a tempo of 98 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Successa è una disgrazia being at 98 BPM, the half-time would be 49 BPM with a double-time of 196 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | E Major | 1 | 12B | 87 BPM | ||
Give Me Jesus | Beckenhorst Singers, Dan Forrest, Craig Courtney | D Major | 1 | 10B | 79 BPM | ||
La Passione di Cristo secondo San Marco, La morte del Redentore: No. 11, Erat autem hora terzia (Marco XV, 25 - 37) | Lorenzo Perosi, Orchestra dell'Accademia Stefano Tempia, Massimo Peiretti, Coro dell'Accademia Stefano Tempia, Alberto Gazale, Carlo De Bortoli | E Major | 0 | 12B | 111 BPM | ||
Alas! and Did My Saviour Bleed | Andrey Jackson | F♯ Major | 0 | 2B | 71 BPM | ||
Annelies (chamber version): VI. Courage | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | B Minor | 0 | 10A | 137 BPM | ||
Misatango, Misa a Buenos Aires: III. Gloria | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 3 | 5A | 82 BPM | ||
Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): IV. Domine Fili | Philip Stopford, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | D Major | 0 | 10B | 60 BPM | ||
Il Giudizio Universale "L'Inno della Pace" | Lorenzo Perosi, Budapest Symphony Orchestra, Budapest Choir, Arturo Sacchetti, Antal Mátyás, Jaroslava Horska, Peter Mikulas, Eva Andor, Attila Fülöp | A♭ Major | 1 | 4B | 84 BPM | ||
Israel in Egypt, HWV 54, Pt I. "Lamentations of the Israelites for the Death of Joseph": V. Their bodies are buried in peace (Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers | A Minor | 0 | 8A | 66 BPM | ||
Dies iste: Quod praecessi in figura | Lorenzo Perosi, Budapest Symphony Orchestra, Budapest Choir, Arturo Sacchetti, Antal Mátyás, Jaroslava Horska, Peter Mikulas, Eva Andor, Attila Fülöp | A♭ Major | 1 | 4B | 84 BPM |
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