"7 Papillons: No. 6. —" by Kaija Saariaho, Elinor Frey was released on June 7, 2011. With 7 Papillons: No. 6. — being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 22 out of 24 in Dialoghi by Elinor Frey. 7 Papillons: No. 6. — is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 7 Papillons: No. 6. — by Kaija Saariaho, Elinor Frey is Lento (slowly), since this song has a tempo of 51 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stimmung: Stimmung: Model 4 | Karlheinz Stockhausen, Paul Hillier, Theatre Of Voices | C Major | 0 | 8B | 80 BPM | ||
Près: I. — | Kaija Saariaho, Joanna Gutowska | E♭ Major | 3 | 5B | 82 BPM | ||
Ligeti : Hamburg Concerto : IV Solo, Intermezzo, Mixtur, Kanon | György Ligeti, Reinbert de Leeuw | G Minor | 1 | 6A | 78 BPM | ||
Nuits, adieux (Version for 4 Voices & Electronics): V. Nuit III | Kaija Saariaho, Timo Kurkikangas, Linnéa Sundfær Casserly, Eleriin Müüripeal, Martti Anttila, Sampo Haapaniemi, Nils Schweckendiek | E♭ Major | 1 | 5B | 80 BPM | ||
Arbos | Arvo Pärt, The Brass Ensemble Staatsorchester Stuttgart, Dennis Russell Davies | A Minor | 3 | 8A | 77 BPM | ||
Threni, Lamentations of Jeremiah: VI. De elegia quinta | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir, Elizabeth Atherton, Maria Ostroukhova, Sam Furness, Joel Williams, Theodore Platt | G Minor | 0 | 6A | 140 BPM | ||
Set of 5 Take-offs: Song Without (Good) Words | Charles Ives, Joel Sachs, Continuum | C Major | 0 | 8B | 104 BPM | ||
Concerto for Orchestra: I. Intrada. Allegro maestoso | Witold Lutosławski, Finnish Radio Symphony Orchestra, Nicholas Collon | F Minor | 0 | 4A | 70 BPM | ||
The Sin of Jesus (1960-61) [Score for untitled film] for flute, horn, trumpet, and Cello: A | Morton Feldman, Ensemble Recherche | D Minor | 0 | 7A | 140 BPM | ||
Orpheus - Ballet in 3 Scenes / 1st scene: Introduction | Igor Stravinsky, Orpheus Chamber Orchestra | B♭ Major | 3 | 6B | 97 BPM |
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