Kim Borg, Jean Sibelius, Turku Philharmonic Orchestra, Waltteri Torikka, Leif Segerstam's 'Twelfth Night, Op. 60 (arr. K. Borg for voice and orchestra): No. 2, Hey, Ho, the Wind and the Rain' came out on June 2, 2015. With Twelfth Night, Op. 60 (arr. K. Borg for voice and orchestra): No. 2, Hey, Ho, the Wind and the Rain being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Sibelius: Kuolema, JS 113 & King Christian II, Op. 27". In this album, this song's track order is #9. The popularity of Twelfth Night, Op. 60 (arr. K. Borg for voice and orchestra): No. 2, Hey, Ho, the Wind and the Rain is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Twelfth Night, Op. 60 (arr. K. Borg for voice and orchestra): No. 2, Hey, Ho, the Wind and the Rain by Kim Borg, Jean Sibelius, Turku Philharmonic Orchestra, Waltteri Torikka, Leif Segerstam having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Schöpfung, Hob.XXI:2 / Part 2: In holder Anmut steh'n, mit jungem Grün geschmückt - Live | Joseph Haydn, Gundula Janowitz, Fritz Wunderlich, Kim Borg, Wiener Philharmoniker, Herbert von Karajan | A Major | 2 | 11B | 132 BPM | ||
Die Schöpfung, Hob.XXI:2 / Part 3: "Von deiner Güt', o Herr und Gott" | Franz Joseph Haydn, Irmgard Seefried, Kim Borg, Berliner Philharmoniker, Igor Markevitch, Chor der St. Hedwigs-Kathedrale Berlin | C Major | 2 | 8B | 97 BPM | ||
Mass in D Major, Op. 86, B. 175: Gloria. Allegro vivo | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | G Major | 1 | 9B | 66 BPM | ||
Lucia di Lammermoor, Act II: Chi mi frena in tal momento | Gaetano Donizetti, Gosta Bjorling, Eva Prytz, Bette Björling, Arne Wiren, Erik Saeden, Kim Borg, Swedish Radio Orchestra, Stig Rybrant | D♭ Major | 2 | 3B | 86 BPM | ||
Requiem, Op. 63: Ib. Te decet hymnus – | Charles Villiers Stanford, Carolyn Sampson, James Way, Ross Ramgobin, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins | E Minor | 1 | 9A | 79 BPM | ||
Requiem, Op. 89, B. 165, Pt. 2: IX. Offertorium | Antonín Dvořák, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Kim Borg, Czech Philharmonic, Karel Ančerl, Czech Chorus, Prague, Markéta Kühnová | A♭ Major | 0 | 4B | 64 BPM | ||
Souda, souda, sinisorsa | Jean Sibelius, Kim Borg, Erik Werba | A Major | 0 | 11B | 88 BPM | ||
Die Schöpfung, Hob.XXI:2 / Part 2: "Gleich öffnet sich der Erde Schoß" | Franz Joseph Haydn, Kim Borg, Berliner Philharmoniker, Igor Markevitch | D Major | 1 | 10B | 81 BPM | ||
Messa da Requiem: II. Lacrymosa | Giuseppe Verdi, Maria Stader, Marianna Radev, Helmut Krebs, Kim Borg, RIAS-Symphonie-Orchester, Ferenc Fricsay, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin | G Minor | 1 | 6A | 139 BPM | ||
Nyberg : Oi, Herra, jos mä matkamies maan | Kim Borg | G Minor | 2 | 6A | 82 BPM |
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