Mozart: Die Zauberflöte, K. 620, Act 1 Scene 13: "Die Weisheitslehre dieser Knaben … O ew’ge Nacht!" (Tamino, Sprecher, Priester)
Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players
Mozart: Die Zauberflote
7:14 February 7, 2005
BPM
68
Key
A Minor
Camelot
8A

Embed

Share Link

Mozart: Die Zauberflöte, K. 620, Act 1 Scene 13: "Die Weisheitslehre dieser Knaben … O ew’ge Nacht!" (Tamino, Sprecher, Priester) - Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players Information

Acousticness
96%
Danceability
30%
Energy
4%
Instrumentalness
0%
Liveness
49%
Loudness
56%
Speechiness
10%
Valence
7%
Popularity
Loudness
-26.164 dB

Summary

"Mozart: Die Zauberflöte, K. 620, Act 1 Scene 13: "Die Weisheitslehre dieser Knaben … O ew’ge Nacht!" (Tamino, Sprecher, Priester)" by Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players was released on February 7, 2005. Since Mozart: Die Zauberflöte, K. 620, Act 1 Scene 13: "Die Weisheitslehre dieser Knaben … O ew’ge Nacht!" (Tamino, Sprecher, Priester) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players's "Mozart: Die Zauberflote" album is number 18 out of 60. Mozart: Die Zauberflöte, K. 620, Act 1 Scene 13: "Die Weisheitslehre dieser Knaben … O ew’ge Nacht!" (Tamino, Sprecher, Priester) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mozart: Die Zauberflöte, K. 620, Act 1 Scene 13: "Die Weisheitslehre dieser Knaben … O ew’ge Nacht!" (Tamino, Sprecher, Priester) BPM

We consider the tempo marking of Mozart: Die Zauberflöte, K. 620, Act 1 Scene 13: "Die Weisheitslehre dieser Knaben … O ew’ge Nacht!" (Tamino, Sprecher, Priester) by Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Mozart: Die Zauberflöte, K. 620, Act 1 Scene 13: "Die Weisheitslehre dieser Knaben … O ew’ge Nacht!" (Tamino, Sprecher, Priester) Key

The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo by Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella IstropolitanaConcerto Grosso In D Major, Op. 6, No. 1 : I. LargoArcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella IstropolitanaA Major111B81 BPM
Der Stein der Weisen, Act I: Recitative. Das wirst du nie - Welch fremde Stimme hörte ich? by Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kurt Streit, Paul Austin KellyDer Stein der Weisen, Act I: Recitative. Das wirst du nie - Welch fremde Stimme hörte ich?Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kurt Streit, Paul Austin KellyE♭ Major15B129 BPM
Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato by Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary UtigerConcerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccatoGeorg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary UtigerF♯ Major02B110 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato by Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigBruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderatoMax Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigE♭ Major15B113 BPM
Sonata No. 15 in C Major, II. Andante by Maria João PiresSonata No. 15 in C Major, II. AndanteMaria João PiresG Major19B108 BPM
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia by Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo FossiVariations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con GraziaCarl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo FossiE♭ Major25B49 BPM
Violin Sonata No. 22 in A Major, K. 305: I. Allegro di molto by Wolfgang Amadeus Mozart, Ray ChenViolin Sonata No. 22 in A Major, K. 305: I. Allegro di moltoWolfgang Amadeus Mozart, Ray ChenE Major112B153 BPM
Prélude à l'après-midi d'un faune, L.86 by Claude Debussy, Timothy Hutchins, Orchestre Symphonique de Montréal, Charles DutoitPrélude à l'après-midi d'un faune, L.86Claude Debussy, Timothy Hutchins, Orchestre Symphonique de Montréal, Charles DutoitA♭ Minor01A90 BPM
Nocturne No.8 In D Flat, Op.27 No.2 - 2005 Recording by Frédéric Chopin, Maurizio PolliniNocturne No.8 In D Flat, Op.27 No.2 - 2005 RecordingFrédéric Chopin, Maurizio PolliniD♭ Major03B56 BPM
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses by François Couperin, Alexandre TharaudPièces de Clavecin, Livre II, 6e ordre: V. Les Baricades MistérieusesFrançois Couperin, Alexandre TharaudB♭ Major16B111 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6898314952850342

End: 0.7114825248718262