"Festival Gloria, Op. 94" by Edmund Rubbra, Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson was released on January 3, 2006. With this song being about 5 minutes long, at 5:27, "Festival Gloria, Op. 94" by Edmund Rubbra, Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Gloriae Dei Cantores, Elizabeth C. Patterson's "Joy & Gladness" album is number 12 out of 20. Based on our statistics, Festival Gloria, Op. 94's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Festival Gloria, Op. 94 by Edmund Rubbra, Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chants d'Auvergne, Vol. 1: No. 1. Pastourelle (Pastorale) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | A Minor | 1 | 8A | 77 BPM | ||
Holy Spirit Mass: The Spirit's Work: Come | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Minor | 1 | 4A | 127 BPM | ||
Madrigal Madrigal | Fanny Hearst | E Minor | 2 | 9A | 107 BPM | ||
Lieder ohne Worte, Op. 30: No. 3 in E Major, Adagio non troppo, MWV U 104 (Arr. H. Villa-Lobos for Choir) | Felix Mendelssohn, Orquestra Sinfônica do Estado de São Paulo, Valentina Peleggi | E♭ Major | 0 | 5B | 75 BPM | ||
The Little Litany | St.Petersburg Chamber Choir, Nikolai Korniev | A Minor | 2 | 8A | 75 BPM | ||
Weihnachtslieder, Op. 8: No. 3, The Three Kings (Arr. Atkins/Park) | Peter Cornelius, Owain Park, The Gesualdo Six | G Major | 1 | 9B | 95 BPM | ||
A. Scotto: Orchestral Sketch n.°2 | Aurelio Scotto, Symphony Chamber Orchestra 2001 | A Minor | 2 | 8A | 132 BPM | ||
Vespers, Op. 37: Glory to God in the Highest | Sergei Rachmaninoff, Yuri Korinnyk, Mykhaylo Tyshchenko, Olga Borusene, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Major | 1 | 8B | 89 BPM | ||
Fauré: Les Djinns, Op. 12 | Gabriel Fauré, Jean Sourisse, Emmanuel Strosser, Ensemble vocal Audite Nova | A Minor | 0 | 8A | 65 BPM | ||
Aesop's Fables: No. 3. The Fox and the Grapes | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | F Major | 0 | 7B | 65 BPM |
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