"Concerto for 2 Oboes, Violin, Strings and Continuo in D, R.563 - Arr. 2 Trumpets: 2. Grave" by Antonio Vivaldi, Michael Laird, William Houghton, Academy of St. Martin in the Fields, Sir Neville Marriner was released on August 31, 2020. With Concerto for 2 Oboes, Violin, Strings and Continuo in D, R.563 - Arr. 2 Trumpets: 2. Grave being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 46 out of 460 in Born in the 1600s: Vivaldi by Antonio Vivaldi. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Concerto for 2 Oboes, Violin, Strings and Continuo in D, R.563 - Arr. 2 Trumpets: 2. Grave is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for 2 Oboes, Violin, Strings and Continuo in D, R.563 - Arr. 2 Trumpets: 2. Grave by Antonio Vivaldi, Michael Laird, William Houghton, Academy of St. Martin in the Fields, Sir Neville Marriner is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
The 4 Seasons: Violin Concerto in F minor, Op. 8, No. 4, RV 297, "L'inverno" (Winter): I. Allegro non molto | Karoly Botvay | F Minor | 1 | 4A | 151 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: III. Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Roderick Shaw, Gerald Hambitzer, Robert Hill, Johann Sebastian Bach | A Minor | 4 | 8A | 114 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
The 4 Seasons: Violin Concerto In F Minor, Op. 8, No. 4, RV 297, "L'inverno" (Winter): II. Largo | Sonatori de la Gioiosa Marca, Giuliano Carmignola, Antonio Vivaldi | B♭ Major | 1 | 6B | 82 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Vivaldi: Concerto in G Minor for Two Cellos, RV 531: I. Allegro | Antonio Vivaldi, Emerald Ensemble, Juliet Tomlinson, Rachel Howgego, Roger Huckle | C Major | 2 | 8B | 140 BPM | ||
Autumn (L'Automno) Op.8 No.3 Major: Adagio Molto | Baroque Festival Orchestra, Alberto Lizzio | B Minor | 0 | 10A | 66 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 3. Allegro | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM |
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