"Kalinka" by Traditional Traditional, Slovenski Oktet, Nicolai Gedda was released on 1990. With this song being about 5 minutes long, at 4:33, "Kalinka" by Traditional Traditional, Slovenski Oktet, Nicolai Gedda is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Slovenski oktet in Nicolai Gedda". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Slovenia. Kalinka is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Kalinka by Traditional Traditional, Slovenski Oktet, Nicolai Gedda having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Emmenez-moi (Arr. for Cello and Orchestra by Mathieu Herzog) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | F Major | 1 | 7B | 85 BPM | ||
Ich var uff wag des bittern mer: II. rúw und búss | Hugo von Montfort, Eberhard Kummer | D Minor | 0 | 7A | 96 BPM | ||
On ahdas täällä olla, Sl 153 | Mieskuoro Weljet | D Minor | 3 | 7A | 118 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Second livre de danseries: Tourdion C’est grand plaisir | Pierre Attaingnant, Into the Winds | F Minor | 3 | 4A | 132 BPM | ||
J’avois juré l’autre jour / Acis et Galatée, Prologue: Rigaudon / Suitte du Rigaudon / Double du Rigaudon fait par Mr Couprain | Bertrand de Bacilly, Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Danses hongroises du 17ème Siècle: III. Chorea | Ferenc Farkas, Sarah Christ | E Minor | 0 | 9A | 95 BPM | ||
Hymne | R.P. Komitas, Garbis Aprikian, Choeur Sipan-Komitas | G Minor | 4 | 6A | 160 BPM | ||
Crescendo | Traditional Traditional, Wolfgang Seifen | C Major | 3 | 8B | 134 BPM | ||
Violin Sonata No. 2 in Dorian Mode, C. 139: V. Forte | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | A♭ Major | 1 | 4B | 66 BPM |
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