Alexandre Tansman, Andrés Segovia made "3 Pièces: No. 2, Ala polacca" available on October 23, 2020. The duration of 3 Pièces: No. 2, Ala polacca is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. 3 Pièces: No. 2, Ala polacca's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 30 in Bravo, Segovia: A Classical Spanish Guitar Recital by Andrés Segovia. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, 3 Pièces: No. 2, Ala polacca's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of 3 Pièces: No. 2, Ala polacca by Alexandre Tansman, Andrés Segovia is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L. Bonfá: Passeio no Rio | Sergio Calero | A Major | 2 | 11B | 70 BPM | ||
Schwanengesang, D. 957: No. 5. Aufenthalt (Delay) (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gerald Garcia | E Minor | 2 | 9A | 136 BPM | ||
Ana Cristina | Antonio Lauro, Victor Villadangos | A Minor | 0 | 8A | 71 BPM | ||
Inventions "Hommage à Bach": No. 1, Passepied | Alexandre Tansman, Andrea de Vitis | A Major | 1 | 11B | 67 BPM | ||
Guitar Suite: I. Notturno romantico | Alexandre Tansman, Andrea de Vitis | D Minor | 0 | 7A | 71 BPM | ||
Lacrimosa, fra Lite Rekviem | Ewa Serafin, Ole Martin Huser-Olsen | A Major | 2 | 11B | 115 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 7 in C-Sharp Minor | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | B Minor | 3 | 10A | 122 BPM | ||
Bardenklange, Op. 13: Fingals Hohle (Fingal's Cave) | Johann Kaspar Mertz, Adam Holzman | G Major | 1 | 9B | 100 BPM | ||
12 Studies, W235, A235: No. 2, Allegro | Heitor Villa-Lobos, Sean Shibe | A Major | 1 | 11B | 132 BPM | ||
5 Preludios: No. 5, Candombe en Mi | Maximo Diego Pujol, Jason Vieaux | E Minor | 1 | 9A | 123 BPM |
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