Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice made "The Sleeping Beauty, Op. 66 : Finale" available on July 31, 1992. The Sleeping Beauty, Op. 66 : Finale is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. There are a total of 65 in the song's album "Tchaikovsky: The Sleeping Beauty (Complete Ballet)". In this album, this song's track order is #25. Furthermore, we believe that the track originated from Hong Kong. The Sleeping Beauty, Op. 66 : Finale is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Sleeping Beauty, Op. 66 : Finale by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in D Minor, Op. 107, MWV N 15 "Reformation": II. Allegro vivace | Felix Mendelssohn, Wiener Philharmoniker, John Eliot Gardiner | B♭ Major | 0 | 6B | 67 BPM | ||
Paulli: Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 3, Variation I (based on a Waltz from Adolphe Adam's "Le Diable … quatre") | Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | B♭ Major | 2 | 6B | 109 BPM | ||
Paquita: Variation 2: Tempo di valse (by Pouni) | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | E Major | 1 | 12B | 88 BPM | ||
Giselle: Act II: Valse | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | B♭ Major | 1 | 6B | 85 BPM | ||
III. Monologue Of Frost | Moscow Symphony Orchestra, Moscow Capella, Elena Okolysheva, Arkady Mishenkin, Pyotr Ilyich Tchaikovsky | F♯ Major | 2 | 2B | 89 BPM | ||
Hungarian Dance No.6 In D Flat | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 2 | 10B | 153 BPM | ||
Laurencia, Pas de Six, Act II: 7. Laurencia's First Variation | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | G Major | 0 | 9B | 101 BPM | ||
アルミードの館 | Alexander Tcherepnin, Moscow Symphony Orchestra, Henry Shek | E Minor | 1 | 9A | 147 BPM | ||
La Bayadere, Act III: 44. "Variation - 1st Soloist Shade" | Evergreen Symphony Orchestra, Kevin Galiè | A Major | 1 | 11B | 111 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM |
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