Heitor Villa-Lobos, Eugene Rousseau, Orchestre de Chambre Paul Kuentz, Paul Kuentz's 'Fantasia for Soprano Saxophone, 3 Horns and String Orchestra: 1. Animé' came out on January 1, 1972. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Eugene Rousseau, Paul Kuentz Chamber Orchestra, Paul Kuentz's "Ibert / Glazunov / Villa-Lobos / Dubois: Saxophone Concertos" album is number 4 out of 9. Based on our statistics, Fantasia for Soprano Saxophone, 3 Horns and String Orchestra: 1. Animé's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fantasia for Soprano Saxophone, 3 Horns and String Orchestra: 1. Animé by Heitor Villa-Lobos, Eugene Rousseau, Orchestre de Chambre Paul Kuentz, Paul Kuentz to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Choros No. 3, "Pica-Pau" | Heitor Villa-Lobos, Sergio Burgani, Marcos Pedroso, Wagner Polistchuck, Alexandre Silverio, Dante Yenque, Luciano Amaral, Samuel Hamzem, Orquestra Sinfônica do Estado de São Paulo, John Neschling | F Minor | 1 | 4A | 95 BPM | ||
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
6 Consolations, S. 172: No. 2 in E Major (Un Poco Più Mosso) | Franz Liszt, Daniel Barenboim | B Major | 0 | 1B | 69 BPM | ||
3 Rondo brillants, Op. 2: No. 2b in A Minor. Rondo moderato | Dionisio Aguado, Lorenzo Micheli | A Minor | 1 | 8A | 95 BPM | ||
Capricho diabolico, Op.85 | Mario Castelnuovo-Tedesco, Andrés Segovia | D Minor | 3 | 7A | 79 BPM | ||
Rodrigo: Concierto de Aranjuez: III. Allegro gentile | Joaquín Rodrigo, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | D Major | 2 | 10B | 160 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: III. Allegro gentile - Version 1979 | Joaquín Rodrigo, Narciso Yepes, Philharmonia Orchestra, Luis Antonio García Navarro | A Major | 1 | 11B | 107 BPM | ||
2 Pieces for the Left Hand, Op. 9: No. 2. Nocturne in D-Flat Major | Alexander Scriabin, Maria Lettberg | D♭ Major | 0 | 3B | 76 BPM | ||
Deux Arabesques, L. 66: Arabesque No. 1 in E Major | Claude Debussy, Xavier De Maistre | F Minor | 0 | 4A | 97 BPM |
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