"Jetzt spielen... Hüll dich in Tand (Bajazzo)" by Max Lorenz, Orchester Der Staatsoper Berlin was released on August 22, 2006. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Max Lorenz's "Max Lorenz - The complete Electrola Recordings" album is number 12 out of 33. In terms of popularity, Jetzt spielen... Hüll dich in Tand (Bajazzo) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Jetzt spielen... Hüll dich in Tand (Bajazzo) by Max Lorenz, Orchester Der Staatsoper Berlin to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Macbeth: Act IV, Introduction | Arthur Sullivan, Margaret MacDonald, RTE Chamber Choir, RTE Concert Orchestra, Andrew Penny | B Major | 2 | 1B | 82 BPM | ||
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Medea (Medee) (Sung in Italian): Act II: Introduction | Luigi Cherubini, Kolos Kováts, Magda Kalmár, Veriano Luchetti, Sylvia Sass, Klára Takács, József Gregor, Veronika Kincses, Katalin Szőkefalvi-Nagy, Hungarian Radio and Television Chorus, Budapest Symphony Orchestra, Lamberto Gardelli | F Major | 1 | 7B | 80 BPM | ||
21 Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Swedish Chamber Orchestra, Thomas Dausgaard | G Minor | 2 | 6A | 144 BPM | ||
Ach! Wo war ich? (Ariadne auf Naxos) | Melanie Frutschnigg, Vienna State Opera Orchestra, Erich Kunz, Irmgard Seefried, Josef Witt, Alda Noni, Friedrich Jelinek, Alfred Muzzarelli, Hermann Baier, Marjan Rus, Elisabeth Rutgers, Hans Schweiger, Richard Sallaba, Paul Schöffler, Max Lorenz, Emmy Loose, Maria Reining, Peter Klein | E Minor | 1 | 9A | 84 BPM | ||
Ein Schwert verhiess mir der Vater (Die Walküre) | Margarete Teschemacher, Staatskapelle Dresden, Kurt Böhme, Max Lorenz | C Major | 3 | 8B | 86 BPM | ||
The Wand of Youth, Suite No. 1, Op. 1a: II. Serenade - 2023 Remastered Version | Edward Elgar, Sir Adrian Boult, London Philharmonic Orchestra | G Major | 3 | 9B | 75 BPM | ||
Polovtsian Dances from Prince Igor: VI. Moderato alla breve | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
Peer Gynt Opp.46 & 55, Excerpts, Suite No. 2, Op.55: Arab Dance | Paavo Berglund | E Minor | 1 | 9A | 124 BPM | ||
Don Giovanni, K. 527, Act I: Dalla sua pace - Remastered 2024 | Wolfgang Amadeus Mozart, Anton Dermota, Karl Böhm, Wiener Philharmoniker | B♭ Major | 1 | 6B | 96 BPM |
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