Ave Maria, CG 89a (After J.S. Bach) [Arr. Y. Kondonassis] - Charles Gounod, Johann Sebastian Bach, Yolanda Kondonassis Information

Acousticness: 39%
Danceability: 86%
Energy: 26%
Instrumentalness: 0%
Liveness: 28%
Loudness: 86%
Speechiness: 4%
Valence: 96%
Popularity: 9%
Loudness: -8.383 dB

Summary

On September 1, 1997, the song "Ave Maria, CG 89a (After J.S. Bach) [Arr. Y. Kondonassis]" was released by Charles Gounod, Johann Sebastian Bach, Yolanda Kondonassis. The duration of Ave Maria, CG 89a (After J.S. Bach) [Arr. Y. Kondonassis] is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Ave Maria, CG 89a (After J.S. Bach) [Arr. Y. Kondonassis]'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 20 in Dream Season: The Christmas Harp by Yolanda Kondonassis, Gloria Shayne, Mykola Leontovych. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Ave Maria, CG 89a (After J.S. Bach) [Arr. Y. Kondonassis]'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Ave Maria, CG 89a (After J.S. Bach) [Arr. Y. Kondonassis] BPM

The tempo marking of Ave Maria, CG 89a (After J.S. Bach) [Arr. Y. Kondonassis] by Charles Gounod, Johann Sebastian Bach, Yolanda Kondonassis is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.

Ave Maria, CG 89a (After J.S. Bach) [Arr. Y. Kondonassis] Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": III. Adagio - Allegro - Adagio	Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla	E♭ Major	0	5B	120 BPM
Ave Maria	Leontyne Price	B♭ Major	2	6B	89 BPM
3 Small Tone Poems: No. 2. Winter Night, "Sleigh Ride"	Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones	D Major	0	10B	92 BPM
Capriol Suite: 5. Pied-en- l'air	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	G Major	1	9B	113 BPM
Nun danket alle Gott BWV 386	Choir of King's College, Cambridge, Stephen Cleobury, Benjamin Bayl	G Major	3	9B	68 BPM
Concerto for 2 Violins in D Minor, BWV 1043: I. Vivace	Johann Sebastian Bach, Pieter Schoeman, Vesselin Gellev, David Parry, London Philharmonic Orchestra	D Minor	3	7A	100 BPM
Tochter Zion	Thomanerchor Leipzig, Hans-Joachim Rotzsch	G Major	2	9B	81 BPM
Tchaikovsky: The Nutcracker, Op. 71, Act I, Scene 1: No. 4, Dancing Scene. Arrival of Drosselmeyer	Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Sir Simon Rattle	E Minor	1	9A	145 BPM
Consort No. 12	Henry VIII, Victoria Davies	B♭ Major	0	6B	116 BPM
First Vespers for the Nativity of the Blessed Virgin Mary: Psalm 117: Laudate Dominum omnes gentes; Antiphon 2: Beata progenies (mode II)	Anonymous, Choir of King's College, Cambridge, Stephen Cleobury	A Major	1	11B	80 BPM

ISRC: USTE10403446
Label: L-M Records/RCA Records

Section: 1.8439662456512451

End: 1.848426342010498