Richard Wagner, Kurt Moll, Adalbert Kraus, Michel Sénéchal, Martin Egel, Bernd Weikl, Gerd Nienstedt, Max Schönherr, Wolfgang Appel, Herbert Berger-Tuna, Kurt Rydl, Rudolf A Hartmann, Wiener Philharmoniker, Sir Georg Solti's 'Die Meistersinger von Nürnberg - Act 1: Wohl Meister! Zur Tagesordnung kehrt' came out on January 1, 1976. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wagner: Die Meistersinger Von Nurnberg by Richard Wagner, Norman Bailey, Bernd Weikl, René Kollo, Hannelore Bode, Wiener Philharmoniker, Sir Georg Solti. The song's track number on the album is #10 out of 42 tracks. In terms of popularity, Die Meistersinger von Nürnberg - Act 1: Wohl Meister! Zur Tagesordnung kehrt is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Meistersinger von Nürnberg - Act 1: Wohl Meister! Zur Tagesordnung kehrt by Richard Wagner, Kurt Moll, Adalbert Kraus, Michel Sénéchal, Martin Egel, Bernd Weikl, Gerd Nienstedt, Max Schönherr, Wolfgang Appel, Herbert Berger-Tuna, Kurt Rydl, Rudolf A Hartmann, Wiener Philharmoniker, Sir Georg Solti has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Meistersinger von Nürnberg - Act 1: Wohl Meister! Zur Tagesordnung kehrt being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die lustige Witwe / Act I: "So kommen Sie! 's ist niemand hier!" | Franz Lehár, Barbara Bonney, Rainer Trost, Wiener Philharmoniker, John Eliot Gardiner | G Major | 2 | 9B | 62 BPM | ||
Káta Kabanová / Act 1: Interlude I | Leoš Janáček, Wiener Philharmoniker, Sir Charles Mackerras | B♭ Minor | 1 | 3A | 81 BPM | ||
Les Contes d'Hoffmann / Act 1: "Vive Dieu! mes amis, la belle créature!" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Andreas Schmidt, Claudia Eder, Plácido Domingo, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | A Minor | 2 | 8A | 68 BPM | ||
Salome, Op. 54 / Scene 3: Dein Leib ist grauenvoll | Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | D♭ Major | 2 | 3B | 93 BPM | ||
Salome, Op. 54 / Scene 3: "Zurück, Tochter Sodoms!" | Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | B Minor | 1 | 10A | 128 BPM | ||
Der Freischütz, J. 277 / Act 3: "Schaut, o schaut! Er traf die eigne Braut!" | Carl Maria von Weber, Gundula Janowitz, Edith Mathis, Peter Schreier, Bernd Weikl, Siegfried Vogel, Theo Adam, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber | C Major | 2 | 8B | 174 BPM | ||
Gurrelieder / Pt. 1: V. Tove: Sterne jubeln | Arnold Schoenberg, Sharon Sweet, Wiener Philharmoniker, Claudio Abbado | G Minor | 5 | 6A | 147 BPM | ||
Pelléas et Mélisande, L. 88 / Act III: "Je les tiens dans les mains" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | E♭ Minor | 1 | 2A | 90 BPM | ||
Messa da Requiem: 2. Lacrymosa | Giuseppe Verdi, Anna Tomowa-Sintow, Agnes Baltsa, José Carreras, José van Dam, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus, Chorus of the Sofia National Opera, Walter Hagen-Groll | F♯ Major | 2 | 2B | 89 BPM | ||
Fidelio, Op. 72 / Act I: "O wär ich schon mit dir vereint" | Ludwig van Beethoven, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | C Major | 1 | 8B | 134 BPM |
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