- BPM
- 79
- Key
- E Minor
- Camelot
- 9A
Piano Sonata No. 27 In E Minor, Op. 90: 1. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck - Ludwig van Beethoven, Daniel Barenboim Information
- Acousticness
- 99%
- Danceability
- 36%
- Energy
- 2%
- Instrumentalness
- 94%
- Liveness
- 12%
- Loudness
- 60%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 21%
- Loudness
- -24.072 dB
Summary
"Piano Sonata No. 27 In E Minor, Op. 90: 1. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck" by Ludwig van Beethoven, Daniel Barenboim was released on January 1, 1984. Piano Sonata No. 27 In E Minor, Op. 90: 1. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. The song is number 12 out of 102 in Beethoven: The Piano Sonatas by Ludwig van Beethoven, Daniel Barenboim. Piano Sonata No. 27 In E Minor, Op. 90: 1. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Piano Sonata No. 27 In E Minor, Op. 90: 1. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck BPM
The tempo marking of Piano Sonata No. 27 In E Minor, Op. 90: 1. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck by Ludwig van Beethoven, Daniel Barenboim is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Piano Sonata No. 27 In E Minor, Op. 90: 1. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck Key
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 13 Pieces, Op. 76: No. 1 Esquisse | Jean Sibelius, Håvard Gimse | A Major | 1 | 11B | 141 BPM | |
 | Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | |
 | L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 0 | 7B | 86 BPM | |
 | Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | |
 | 7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | |
 | Sonatine bureaucratique: 3. Vivache | Erik Satie, Jean-Yves Thibaudet | A Major | 1 | 11B | 78 BPM | |
 | Keyboard Sonatina In C Major, Op. 36, No. 3: II. Un Poco Adagio | Muzio Clementi, Balazs Szokolay | G Major | 0 | 9B | 170 BPM | |
 | Goldberg Variations, BWV 988: Var. 13 | Johann Sebastian Bach, Glenn Gould | G Major | 2 | 9B | 96 BPM | |
 | Swan Lake, Op. 20, TH. 12: Dance of the Four Swans (Arr. Wild for Piano) | Pyotr Ilyich Tchaikovsky, Yuja Wang | B Minor | 1 | 10A | 113 BPM | |
 | Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6868448257446289
End: 0.6907069683074951