"Trauermusik: IV. Choral "Für deinen Thron tret ich hiermit" - Sehr langsam" by Paul Hindemith, Yuri Bashmet was released on 1990. The duration of Trauermusik: IV. Choral "Für deinen Thron tret ich hiermit" - Sehr langsam is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Trauermusik: IV. Choral "Für deinen Thron tret ich hiermit" - Sehr langsam's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Yuri Bashmet - The Complete RCA Recordings by Yuri Bashmet. The song's track number on the album is #9 out of 72 tracks. Based on our data, United States was the country where this track was produced or recorded. Trauermusik: IV. Choral "Für deinen Thron tret ich hiermit" - Sehr langsam is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Trauermusik: IV. Choral "Für deinen Thron tret ich hiermit" - Sehr langsam by Paul Hindemith, Yuri Bashmet has a tempo of 68 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Trauermusik: IV. Choral "Für deinen Thron tret ich hiermit" - Sehr langsam being at 68 BPM, the half-time would be 34 BPM with a double-time of 136 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 1 in C Major, Op. 49: 3. Allegro molto | Dmitri Shostakovich, Borodin Quartet | G Minor | 3 | 6A | 121 BPM | ||
D'un soir triste | Lili Boulanger, Luxembourg Philharmonic Orchestra, Mark Stringer | C Major | 1 | 8B | 84 BPM | ||
Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
Symphony in E Minor, Op. 32, "Gaelic Symphony": II. Alla siciliana - Allegro vivace - Andante | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | F Major | 0 | 7B | 122 BPM | ||
Sonata for Violin and Piano in A: 2. Allegro- Quasi lento- Tempo 1 (Allegro) | César Franck, Kaja Danczowska, Krystian Zimerman | D♭ Minor | 2 | 12A | 87 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
Violin Concerto: III. Passacaglia. Andante - Moderato - Più allegro - Allegro vivace - Subito presto - a tempo, minacciando - Allegro molto - Adagio - Più adagio - Ancora meno mosso | Steve Elcock, Zoë Beyers, Kenneth Woods, English Symphony Orchestra | B Major | 0 | 1B | 124 BPM | ||
La mer, L. 109: III. Dialogue of the Wind and the Sea | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 78 BPM | ||
Fontane di Roma, P. 106: I. La fontana di Valle Giulia all'alba | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | F♯ Major | 2 | 2B | 73 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM |
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