Carl Stamitz, Johann Stamitz, Kurpfalz Chamber Orchestra Ludwigshafen-Mannheim, Klaus-Peter Hahn made "Orchestral Quartet in C Major, Op. 14, No. 1: III. Poco presto" available on January 1, 1990. The duration of Orchestral Quartet in C Major, Op. 14, No. 1: III. Poco presto is about 3 minutes long, at 3:26. Based on our data, "Orchestral Quartet in C Major, Op. 14, No. 1: III. Poco presto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 15 in Edition Stamitz Mannheim, Vol. 1 by Johann Stamitz, Kurpfalz Chamber Orchestra, Klaus-Peter Hahn, Willy Freivogel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Orchestral Quartet in C Major, Op. 14, No. 1: III. Poco presto's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Orchestral Quartet in C Major, Op. 14, No. 1: III. Poco presto by Carl Stamitz, Johann Stamitz, Kurpfalz Chamber Orchestra Ludwigshafen-Mannheim, Klaus-Peter Hahn is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in G Major, Op. 3, No. 9: III. Presto | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | D Major | 2 | 10B | 115 BPM | ||
Symphony No. 4 in D Major: III. Finale: vivace | Joseph Haydn, Alberto Lizzio, Bamberger Kammerorchester | F Major | 0 | 7B | 67 BPM | ||
莫札特,薩爾茲堡嬉遊曲,作品 Kv 136,快板 | 台北愛樂管弦樂團, 亨利梅哲 | A♭ Major | 1 | 4B | 103 BPM | ||
String Quartet in E-Flat Major, H-U 277: I. Adagio ma non troppo | Fanny Mendelssohn, Takács Quartet | A♭ Major | 1 | 4B | 139 BPM | ||
Sleep & Chill | Ria Mbanefo | B♭ Major | 2 | 6B | 134 BPM | ||
Symphony No. 50 in C Major, Hob. I:50: I. Adagio e maestoso - Allegro di molto | Joseph Haydn, Kammerorchester Basel, Giovanni Antonini | G Major | 3 | 9B | 78 BPM | ||
Symphony in D Major, Op. 18, No. 2: IV. Allegro assai | Muzio Clementi, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 146 BPM | ||
ディヴェルティメント K.136~第2楽章(モーツァルト) | ベルリン室内管弦楽団 | G Major | 0 | 9B | 117 BPM | ||
Serenade for Strings in C Major, Op. 48, TH 48: III. Elegia | Pyotr Ilyich Tchaikovsky, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Abbey Road concerto for Violin and Orchestra: VIII. Here Comes The Sun | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM |
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