"7 Songs, Op. 17: No. 6. Illalle (To Evening) (Sung in Swedish)" by Jean Sibelius, Birgit Nilsson, Geoffrey Parsons was released on April 1, 2012. With 7 Songs, Op. 17: No. 6. Illalle (To Evening) (Sung in Swedish) being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 22 in Birgit Nilsson Live in Stockholm (1970, 1973) by Birgit Nilsson, Leif Segerstam. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, 7 Songs, Op. 17: No. 6. Illalle (To Evening) (Sung in Swedish) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 7 Songs, Op. 17: No. 6. Illalle (To Evening) (Sung in Swedish) by Jean Sibelius, Birgit Nilsson, Geoffrey Parsons is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
Longing, JS 203: Till Tranaden | Håvard Gimse, Jean Sibelius | C Minor | 0 | 5A | 88 BPM | ||
10 Little Pieces, Op. 34: No. 1. Valse | Håvard Gimse, Jean Sibelius | D♭ Major | 0 | 3B | 73 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Karelia Suite, Op.11: 3. Alla marcia (Moderato) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 3 | 11B | 164 BPM | ||
5 Anniversaries: No. 5, For Susanna Kyle | Leonard Bernstein, Warren Lee | C Major | 0 | 8B | 98 BPM | ||
...pour appeler la joie (Charme VI) | Federico Mompou, Arcadi Volodos | E Major | 0 | 12B | 0 BPM |
Section: 0.733370304107666
End: 0.7379260063171387