Samuel Scheidt, Jordi Savall made "Scheidt: Ludi musici, Part 1: No. 18, Canzon cornetto a 4" available on August 31, 2002. The duration of Scheidt: Ludi musici, Part 1: No. 18, Canzon cornetto a 4 is about 3 minutes long, at 3:22. Based on our data, "Scheidt: Ludi musici, Part 1: No. 18, Canzon cornetto a 4" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 50 in the song's album "Schein - Banchetto Musicale/Scheidt - Ludi Musici". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Scheidt: Ludi musici, Part 1: No. 18, Canzon cornetto a 4 is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Scheidt: Ludi musici, Part 1: No. 18, Canzon cornetto a 4 by Samuel Scheidt, Jordi Savall having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Call to remembrance | Richard Farrant, Choir of Clare College, Cambridge, Graham Ross | F Minor | 1 | 4A | 81 BPM | ||
Canzoni et sonate: Sonata No. 13 (arr. E. Crees for brass) | Giovanni Gabrieli, Eric Crees, London Symphony Brass | G Minor | 0 | 6A | 97 BPM | ||
Mit Fried und Freud ich fahr dahin, BuxWV 76 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | D Minor | 1 | 7A | 56 BPM | ||
I will exalt Thee | The Choir of Magdalen College, Oxford, John Harper, Christopher Tye | A Minor | 0 | 8A | 93 BPM | ||
Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 171 BPM | ||
Dixit Dominus (Soloists, Chorus) | Antonio Lotti, Barbara Christina Steude, Annekathrin Laabs, David Erler, Tobias Berndt, Saxon Vocal Ensemble, Batzdorfer Hofkapelle, Matthias Jung | B♭ Minor | 1 | 3A | 88 BPM | ||
4 Motets sur des themes gregoriens, Op. 10: II. Tota pulchra es | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | F♯ Minor | 1 | 11A | 77 BPM | ||
Pasión: Vere Languóres. Alto Solo. | Anónimo, Ensamble Moxos, Raquel Maldonado | D♭ Minor | 4 | 12A | 89 BPM | ||
Greiner, Zancker, Schnöpfitzer | Piffaro | D Major | 1 | 10B | 102 BPM | ||
Mass in D Major, Op. 86, B. 153: VI. Agnus Dei | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | G Major | 0 | 9B | 137 BPM |
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