"Postlude in D" by Henry Thomas Smart, Simon Lindley was released on 1998. Since Postlude in D is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Town Hall Organ Classics". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Postlude in D is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Postlude in D by Henry Thomas Smart, Simon Lindley having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Air with Variations & Finale fugato in A Major: Var. 8 | Henry Thomas Smart, Anne Marsden Thomas | A Major | 1 | 11B | 77 BPM | ||
Come, Holy Ghost, Our Souls Inspire | The Choir of St. Mary's Episcopal Cathedral | E♭ Major | 0 | 5B | 110 BPM | ||
Magnificat in D Minor | Thomas Attwood Walmisley, Rochester Cathedral Choir, William Whitehead, Roger Sayer | C Minor | 1 | 5A | 76 BPM | ||
Nicaea "Holy, Holy, Holy! Lord God Almighty!" | John Bacchus Dykes, Choir of St Mary's Cathedral, Edinburgh, Peter Backhouse, Dennis Townhill | D Major | 0 | 10B | 92 BPM | ||
Der 13. Psalm, Op. 27 | Johannes Brahms, MDR Leipzig Radio Chorus, Wolf-Dieter Hauschild | G Major | 1 | 9B | 93 BPM | ||
For All Thy Saints, O Lord | Charles Lockhart, Durham Cathedral Choir, Ian Shaw, James Lancelot | E♭ Major | 0 | 5B | 75 BPM | ||
Mass of the Americas: I. El cantico del alba | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | C Minor | 3 | 5A | 133 BPM | ||
Vårmorgonen | Karl-Erik Welin, Meng Hao-Jan, Storkyrkans Kör, Gustaf Sjokvist | E Minor | 0 | 9A | 76 BPM | ||
St. George's Windsor "Come, Ye Thankful People, Come" | George Job Elvey, Choir of Girton College, Cambridge, William Ings, Samuel Hudson, Martin Ennis | F Major | 1 | 7B | 91 BPM | ||
In the Lord | Rejike | D Major | 0 | 10B | 74 BPM |
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