"End Credits - From "The Abyss"" by The City of Prague Philharmonic Orchestra was released on January 1, 1997. With this song being about 5 minutes long, at 5:11, "End Credits - From "The Abyss"" by The City of Prague Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 14 in Cinema Choral Classics by Crouch End Festival Chorus, The City of Prague Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. End Credits - From "The Abyss" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of End Credits - From "The Abyss" by The City of Prague Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Illusionist | Philip Glass | G Minor | 2 | 6A | 74 BPM | ||
Deep Into The Forest | Michael Nyman | A Minor | 2 | 8A | 68 BPM | ||
Glasgow Love Theme - From "Love Actually" | Craig Armstrong, The Royal Philharmonic Concert Orchestra/Paul Bateman, Paul Bateman | A Major | 1 | 11B | 136 BPM | ||
Theme - Piano Version - From "Schindler's List" | Paul Bateman | G Minor | 0 | 6A | 138 BPM | ||
Theme from Mansfield Park | James Shearman, Nick Ingman | D Major | 2 | 10B | 156 BPM | ||
Impossible Opening - From "Finding Neverland" | Jan A.P. Kaczmarek, The Royal Philharmonic Concert Orchestra/Paul Bateman, Paul Bateman | A Minor | 2 | 8A | 148 BPM | ||
Knightley's Walk | Samuel Sim | G Major | 1 | 9B | 92 BPM | ||
Corn Exchange | Craig Armstrong | G Major | 1 | 9B | 74 BPM | ||
Discovery Of The Camp - Instrumental | Michael Kamen, London Metropolitan Orchestra | C Minor | 1 | 5A | 59 BPM | ||
Peter - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | C Major | 1 | 8B | 100 BPM |
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