"Glasgow Love Theme - From "Love Actually"" by Craig Armstrong, The Royal Philharmonic Concert Orchestra/Paul Bateman, Paul Bateman was released on April 19, 2010. The duration of Glasgow Love Theme - From "Love Actually" is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Glasgow Love Theme - From "Love Actually"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Royal Philharmonic Orchestra's "Greatest Film Classics" album is number 1 out of 36. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Glasgow Love Theme - From "Love Actually"'s popularity is fairly popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Glasgow Love Theme - From "Love Actually" by Craig Armstrong, The Royal Philharmonic Concert Orchestra/Paul Bateman, Paul Bateman to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lunch Hour | Craig Armstrong | C Major | 2 | 8B | 140 BPM | ||
The Darkest Hour | Rob Lane | D Minor | 1 | 7A | 46 BPM | ||
Stationary Cycle | Theodore Shapiro, Mark Graham | B Minor | 2 | 10A | 88 BPM | ||
Forces of Attraction | Jóhann Jóhannsson | G Major | 1 | 9B | 104 BPM | ||
End Credits - Instrumental | Rachel Portman, John Lenehan, David Snell | C Major | 1 | 8B | 141 BPM | ||
Final Letter | Deborah Lurie | C Major | 1 | 8B | 79 BPM | ||
Poor Miss Taylor | Isobel Waller-Bridge, David Schweitzer | C Major | 2 | 8B | 101 BPM | ||
Ballycarbery Castle | Randy Edelman | G Major | 2 | 9B | 148 BPM | ||
La Verdad | Fernando Velázquez | D Major | 0 | 10B | 103 BPM | ||
Jamie Leaves Aurelia | Craig Armstrong | C Major | 1 | 8B | 142 BPM |
Section: 0.4477856159210205
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