"3 Old Viennese Dances: No. 2, Liebesleid (Arr. for Clarinet & Piano)" by Fritz Kreisler, Michael Collins, Michael McHale was released on January 31, 2020. The duration of 3 Old Viennese Dances: No. 2, Liebesleid (Arr. for Clarinet & Piano) is about 3 minutes long, at 3:13. Based on our data, "3 Old Viennese Dances: No. 2, Liebesleid (Arr. for Clarinet & Piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "The Lyrical Clarinet, Vol. 3". In this album, this song's track order is #2. 3 Old Viennese Dances: No. 2, Liebesleid (Arr. for Clarinet & Piano) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Old Viennese Dances: No. 2, Liebesleid (Arr. for Clarinet & Piano) by Fritz Kreisler, Michael Collins, Michael McHale having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Syncopation | Fritz Kreisler, Ray Chen, Julien Quentin | G Major | 1 | 9B | 133 BPM | ||
Syncopation | Fritz Kreisler, Natalia van der Mersch, Natalia Kovalzon | C Major | 2 | 8B | 88 BPM | ||
Liebesleid | Fritz Kreisler, Michael Collins, Michael McHale | A Minor | 0 | 8A | 87 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | ||
Etude Op. 25 no. 9 in G Flat Major | Valentina Lisitsa | F♯ Major | 2 | 2B | 111 BPM | ||
リート FWV 83 | César Franck, 佐藤晴真, 髙木竜馬 | A Major | 1 | 11B | 81 BPM | ||
Prokofiev: 10 Pieces from Romeo & Juliet, Op. 75: VI. Montagues and Capulets | Sergei Prokofiev, Nikolai Lugansky | F Major | 0 | 7B | 90 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
Romance for Violin and Piano, Op. 23 | Amy Beach, Esther Abrami, Iyad Sughayer | A Major | 2 | 11B | 87 BPM |
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