Coppelia Act II, No.17 Gigue, Allegro ma non troppo-Picanvo - Léo Delibes, Saint Petersburg Radio, TV Symphony Orchestra Information

Acousticness: 93%
Danceability: 50%
Energy: 23%
Instrumentalness: 89%
Liveness: 8%
Loudness: 75%
Speechiness: 4%
Valence: 67%
Popularity: 0%
Loudness: -14.977 dB

Summary

Léo Delibes, Saint Petersburg Radio, TV Symphony Orchestra made "Coppelia Act II, No.17 Gigue, Allegro ma non troppo-Picanvo" available on January 1, 2003. With Coppelia Act II, No.17 Gigue, Allegro ma non troppo-Picanvo being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 21 out of 22 in Coppelia, Vol. 1 by Léo Delibes, Saint Petersburg Radio, TV Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Coppelia Act II, No.17 Gigue, Allegro ma non troppo-Picanvo is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Coppelia Act II, No.17 Gigue, Allegro ma non troppo-Picanvo BPM

The tempo marking of Coppelia Act II, No.17 Gigue, Allegro ma non troppo-Picanvo by Léo Delibes, Saint Petersburg Radio, TV Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Coppelia Act II, No.17 Gigue, Allegro ma non troppo-Picanvo Key

This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

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Raymonda, Op. 57: Act III - Variation IV	Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov	D Minor	0	7A	90 BPM
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro	Tomaso Albinoni, I Musici	B♭ Major	2	6B	107 BPM
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74]	Franz Liszt, Joseph Banowetz	G Minor	0	6A	96 BPM
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major	Johannes Brahms, Idil Biret	A♭ Minor	3	1A	111 BPM

ISRC: FR6V81085439
Label: L-M Records/RCA Records

Section: 0.6967265605926514

End: 0.7007453441619873