"Franz Schubert's Piano Sonata D.960" by Clara Haskil was released on August 24, 2010. Since Franz Schubert's Piano Sonata D.960 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 65 in the song's album "Piano Classics Greatest Moments". In this album, this song's track order is #50. In terms of popularity, Franz Schubert's Piano Sonata D.960 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Franz Schubert's Piano Sonata D.960 by Clara Haskil having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 3 in D Minor, HWV 428: I. Prélude - Presto | George Frideric Handel, Murray Perahia | D Minor | 2 | 7A | 98 BPM | ||
Jeux d'enfants, Op. 22: II. La toupie | Georges Bizet, Karin Lechner, Sergio Tiempo | A♭ Major | 1 | 4B | 128 BPM | ||
Le bal, Op. 14: No. 3a, Contredanse. Introduction | Anton Rubinstein, Warren Lee | F Major | 0 | 7B | 78 BPM | ||
Theme & Variations "The 4 Temperaments": Theme | Paul Hindemith, Clara Haskil, Symphonieorchester des Bayerischen Rundfunks | D♭ Major | 1 | 3B | 80 BPM | ||
Viola Concerto in B-Flat Major: III. Rondo: Allegro | Franz Anton Hoffmeister, Victoria Chiang, Baltimore Chamber Orchestra, Markand Thakar | B♭ Major | 1 | 6B | 79 BPM | ||
Piano Sonatina in G Major, Op. 88, No. 2: I. Allegro assai | Friedrich Kuhlau, Jenő Jandó | G Major | 1 | 9B | 88 BPM | ||
Cello Concerto No. 1 in G Major: III. Rondo: Allegro | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | G Major | 1 | 9B | 137 BPM | ||
Keyboard Concerto No. 1 in D Minor, BWV 1052: II. Adagio | Johann Sebastian Bach, Murray Perahia, Academy of St. Martin in the Fields | G Minor | 1 | 6A | 88 BPM | ||
Preludes, Op. 28: No. 23 in F Major, Moderato | Frédéric Chopin, Grigory Sokolov | F Major | 0 | 7B | 70 BPM | ||
Violin Sonata No. 18 in G Major, K. 301: I. Allegro con spirito | Wolfgang Amadeus Mozart, Clara Haskil, Arthur Grumiaux | G Major | 2 | 9B | 104 BPM |
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