- BPM
- 64
- Key
- B Major
- Camelot
- 1B
Pierrot Lunaire, Op.21 (1912) / Part 2: 9. Gebet An Pierrot - Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez Information
- Acousticness
- 97%
- Danceability
- 31%
- Energy
- 2%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 56%
- Speechiness
- 4%
- Valence
- 19%
- Popularity
- 11%
- Loudness
- -26.443 dB
Summary
"Pierrot Lunaire, Op.21 (1912) / Part 2: 9. Gebet An Pierrot" by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez was released on January 1, 1998. With Pierrot Lunaire, Op.21 (1912) / Part 2: 9. Gebet An Pierrot being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 23 in the song's album "Schoenberg: Pierrot Lunaire; Herzgewächse; Ode to Napoleon". In this album, this song's track order is #9. Pierrot Lunaire, Op.21 (1912) / Part 2: 9. Gebet An Pierrot is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Pierrot Lunaire, Op.21 (1912) / Part 2: 9. Gebet An Pierrot BPM
With Pierrot Lunaire, Op.21 (1912) / Part 2: 9. Gebet An Pierrot by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Pierrot Lunaire, Op.21 (1912) / Part 2: 9. Gebet An Pierrot Key
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 2 in C Minor "Resurrection" / 5: Im Tempo des Scherzo: Mit Aufschwung, aber nicht eilen - "O Schmerz, du Alldurchdringer" | Gustav Mahler, Waltraud Meier, Cheryl Studer, Wiener Philharmoniker, Claudio Abbado, Arnold Schoenberg Chor, Erwin Ortner | D Major | 1 | 10B | 117 BPM | |
 | Pierrot Lunaire, Op. 21 / Part 3: XVIII. Der Mondfleck | Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez | F♯ Minor | 2 | 11A | 132 BPM | |
 | Symphony No. 3 in D Minor, Part II: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 120 BPM | |
 | Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 27, Aria und Chor. "So ist mein Jesus nun gefangen" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Bernarda Fink, Christine Schäfer, Concentus Musicus Wien | E♭ Minor | 1 | 2A | 139 BPM | |
 | Wozzeck / Act III: Scene IV: Forest Path by a Pool. "Das Messer? Wo ist das Messer?" | Alban Berg, Heinz Zednik, Franz Grundheber, Aage Haugland, Wiener Philharmoniker, Claudio Abbado | F Minor | 1 | 4A | 82 BPM | |
 | Götterdämmerung, WWV 86D / Prologue: "Zu neuen Taten, teurer Helde, wie liebt' ich dich, liess ich dich nicht?" | Richard Wagner, Helga Dernesch, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 2 | 5B | 82 BPM | |
 | 5 Lieder, Op. 47: No. 5, Die Liebende schreibt | Johannes Brahms, Christine Schäfer, Graham Johnson | B Major | 0 | 1B | 88 BPM | |
 | Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | |
 | L'Oiseau de feu, K010: III. Apparition de l’oiseau de feu, poursuivi par Ivan Tsarevitch | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | G Minor | 0 | 6A | 78 BPM | |
| L'Oiseau de feu, K010: VIII. Jeu de princesses avec les pommes d'or | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | D Major | 2 | 10B | 87 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.0042510032653809
End: 1.0095036029815674