On January 1, 1998, the song "Pierrot Lunaire, Op. 21 / Part 3: XVIII. Der Mondfleck" was released by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez. With Pierrot Lunaire, Op. 21 / Part 3: XVIII. Der Mondfleck being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 23 in the song's album "Schoenberg: Pierrot Lunaire; Herzgewächse; Ode to Napoleon". In this album, this song's track order is #18. Based on our statistics, Pierrot Lunaire, Op. 21 / Part 3: XVIII. Der Mondfleck's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Pierrot Lunaire, Op. 21 / Part 3: XVIII. Der Mondfleck by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Noces, Scene 1: The Tresses (At the Bride's House) [the Wedding] | Susan Bickley, Martyn Hill, Alan Ewing, Alison Wells, Simon Joly Chorale, International Piano Quartet, Tristan Fry Percussion Ensemble, Robert Craft | E Major | 2 | 12B | 118 BPM | ||
Douze Notations Pour Piano (1945): Hiératique | Pierre Boulez, Pi-hsien Chen | G Major | 0 | 9B | 84 BPM | ||
Wozzeck / Act III: Scene IV: Forest Path by a Pool. "Das Messer? Wo ist das Messer?" | Alban Berg, Heinz Zednik, Franz Grundheber, Aage Haugland, Wiener Philharmoniker, Claudio Abbado | F Minor | 1 | 4A | 82 BPM | ||
Serenade, Op. 24: V. Tanzszene | Arnold Schoenberg, Maria Bergmann, Pierre Boulez, Jacques Castagnier, Guy Deplus, Louis Montaigne, Luben Yordanoff, Serge Vollot, Jean Huchot, Paul Stingl, Paul Grund | A♭ Major | 1 | 4B | 182 BPM | ||
Four Pieces for Clarinet and Piano, Op.5: 3. Sehr rasch | Alban Berg, Sabine Meyer, Oleg Maisenberg | C Major | 0 | 8B | 67 BPM | ||
L'Oiseau de feu, K010: II. Le jardin enchanté de Kastchei | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | G Minor | 0 | 6A | 78 BPM | ||
String Quartet No. 1 in C Major, Op. 49: 3. Allegro molto | Dmitri Shostakovich, Borodin Quartet | G Minor | 3 | 6A | 121 BPM | ||
Gurrelieder / Pt. 1: X. Waldemar: Du wunderliche Tove! | Arnold Schoenberg, Siegfried Jerusalem, Wiener Philharmoniker, Claudio Abbado | C Minor | 0 | 5A | 72 BPM | ||
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
Symphony No. 2 "The Age of Anxiety" / Part 1 / II. The Seven Ages: Variation 2. Poco più mosso | Leonard Bernstein, Krystian Zimerman, Berliner Philharmoniker, Sir Simon Rattle | A♭ Minor | 1 | 1A | 78 BPM |
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