"Telecommunications" by Sally Greenaway was released on March 1, 2017. The duration of Telecommunications is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Telecommunications's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "The 7 Great Inventions of the Modern Industrial Age". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Australia. Telecommunications is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Telecommunications by Sally Greenaway having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I. Movement | Vladimir Martynov, Tatiana Grindenko | A Major | 2 | 11B | 120 BPM | ||
Deux mélodies hébraïques, M. A22: I. Kaddisch (Transcr. by Richard Tognetti for Cello and Orchestra ) | Maurice Ravel, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 82 BPM | ||
Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | ||
The Arctic Suite: V. Polar Winds | Jacob Shea, Eldbjørg Hemsing, Arctic Philharmonic | A Minor | 2 | 8A | 147 BPM | ||
A Winter Interlude (After Schubert) | Franz Schubert, Lavinia Meijer | F♯ Minor | 0 | 11A | 68 BPM | ||
The Wings Suite, Op. 16, No. 4: Harpia (Arr. for Orchestra by Rodrigo Morte) | Fabio Caramuru, Amazonas Filarmônica, Marcelo de Jesus | D Major | 3 | 10B | 99 BPM | ||
Pärt: Summa | Arvo Pärt, Renaud Capuçon, Orchestre de Chambre de Lausanne | G Minor | 2 | 6A | 105 BPM | ||
In a Tranquil Water Garden | Mark John McEncroe, Van-Anh Nguyen, Yena Choi | D Major | 1 | 10B | 64 BPM | ||
The Hours: An Unwelcome Friend (From "The Hours") | Philip Glass, Nicolas Horvath | G Minor | 0 | 6A | 74 BPM | ||
Funeral Ikos | John Tavener, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs | F Minor | 1 | 4A | 77 BPM |
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