"Requiem, Op.48: VII. "in paradisum"" by Gabriel Fauré, The Choir Of Trinity College, Cambridge, London Musici, Richard Marlow was released on 1989. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 18 in Fauré/Duruflé/Messiaen by The Choir Of Trinity College, Cambridge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Requiem, Op.48: VII. "in paradisum" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op.48: VII. "in paradisum" by Gabriel Fauré, The Choir Of Trinity College, Cambridge, London Musici, Richard Marlow is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Heroes | Philip Glass, American Composers Orchestra, Dennis Russell Davies | F Minor | 3 | 4A | 73 BPM | ||
Dangerous Moonlight: Warsaw Concerto | Royal Philharmonic Orchestra | C Minor | 1 | 5A | 75 BPM | ||
Concerto for Violin and Orchestra (Arr. for Saxophone and Orchestra): II. Crotchet = 108 | Philip Glass, Amy Dickson, Mikel Toms | F Minor | 3 | 4A | 90 BPM | ||
Delibes: Lakmé, Act 1: "Dôme épais le jasmin à la rose s'assemble" (Lakmé, Mallika) | Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Danielle Millet, Orchestre du Theatre National de IOpera-Comique | B Major | 1 | 1B | 135 BPM | ||
Holberg Suite, Op. 40: I Prelude | Edvard Grieg, Norwegian Chamber Orchestra | G Major | 1 | 9B | 76 BPM | ||
Carmina Burana / Fortuna Imperatrix Mundi: I. O Fortuna | Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum, Chor der Deutschen Oper Berlin | B♭ Major | 2 | 6B | 70 BPM | ||
Requiem, Op. 48: 7. In paradisum | Gabriel Fauré, Choir of St. John's College, Cambridge, Stephen Cleobury, Academy of St. Martin in the Fields, George Guest | D Minor | 0 | 7A | 170 BPM | ||
Deep River (Arr. Coleridge-Taylor, Kanneh-Mason) | Traditional, Sheku Kanneh-Mason, Isata Kanneh-Mason, Braimah Kanneh-Mason | E Major | 1 | 12B | 86 BPM | ||
The Armed Man - A Mass For Peace: 10. Agnus Dei | Karl Jenkins, Polyphony, Stephen Layton | C Major | 1 | 8B | 127 BPM | ||
Requiem, Op. 48: VI. Agnus Dei | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | F Major | 3 | 7B | 128 BPM |
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