"Deep River (Arr. Coleridge-Taylor, Kanneh-Mason)" by Traditional, Sheku Kanneh-Mason, Isata Kanneh-Mason, Braimah Kanneh-Mason was released on February 1, 2019. The duration of Deep River (Arr. Coleridge-Taylor, Kanneh-Mason) is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Deep River (Arr. Coleridge-Taylor, Kanneh-Mason)'s duration is considered a little bit shorter than the average duration of a typical track. Since Traditional: Deep River (Arr. Coleridge-Taylor, Kanneh-Mason) only contains only one song in the album, we like to consider this song as a single. Deep River (Arr. Coleridge-Taylor, Kanneh-Mason) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Deep River (Arr. Coleridge-Taylor, Kanneh-Mason) by Traditional, Sheku Kanneh-Mason, Isata Kanneh-Mason, Braimah Kanneh-Mason having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasía para un Gentilhombre: IIa. Españoleta | Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra | A Minor | 0 | 8A | 88 BPM | ||
Deep River | Traditional Gospel, Die 12 Cellisten der Berliner Philharmoniker | E♭ Major | 1 | 5B | 104 BPM | ||
Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | C Minor | 0 | 5A | 93 BPM | ||
The Sleeping Forest, Op. 28 No. 6 | Hugo Alfvén, Ulf Schneider, Jan Philip Schulze | A Major | 1 | 11B | 87 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Down by the Salley Gardens | Traditional, James Galway, The Chieftains, National Philharmonic Orchestra | G Major | 0 | 9B | 83 BPM | ||
Liederkreis, Op. 39: 5. Mondnacht (Arr. Clara Schumann for Piano) | Robert Schumann, Isata Kanneh-Mason | D Minor | 0 | 7A | 140 BPM | ||
Massenet: Thaïs, Act 2: Méditation | Jules Massenet, Min Kym | D Major | 1 | 10B | 95 BPM | ||
Zdes' khorosho, Op. 21, No. 7 | Sergei Rachmaninoff, Yo-Yo Ma, Kathryn Stott | A Major | 0 | 11B | 88 BPM | ||
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM |
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