Traditional, James Galway, The Chieftains, National Philharmonic Orchestra made "Down by the Salley Gardens" available on 1987. The duration of Down by the Salley Gardens is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Down by the Salley Gardens's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Traditional, James Galway, The Chieftains's "In Ireland" album is number 4 out of 15. Down by the Salley Gardens is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Down by the Salley Gardens by Traditional, James Galway, The Chieftains, National Philharmonic Orchestra to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Mulberry Garden | John Playford, Baltimore Consort | D Minor | 2 | 7A | 116 BPM | ||
Sitivit anima mea (Live) | Richard Burchard, Riverside City College Chamber Singers, John Byun | E♭ Major | 0 | 5B | 135 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Adoramus Te Domine | The Songs of Taize Session Singers | G Major | 1 | 9B | 86 BPM | ||
Ecce Quomodo Moritur | University of King's College Chapel Choir, Paul Halley | E♭ Major | 1 | 5B | 173 BPM | ||
Sanctus Benedictus | Probandi Benedittini Di San Giovanni In Parma | G Minor | 1 | 6A | 94 BPM | ||
Shen Khar Venakhi | KITKA Women's Vocal Ensemble | D Major | 1 | 10B | 85 BPM | ||
Angele Dei | Ennio Morricone, Coro Polifonico Lumina Vocis, Giovanni Monti | E Minor | 3 | 9A | 138 BPM | ||
Toccata on Amazing Grace | J. Christopher Pardini, Ken Mervine | A♭ Major | 1 | 4B | 86 BPM | ||
Pange Lingua Gloriosi: Chant Mode III | Chant Mode III, St. Thomas Aquinas, Catherine Bridge, Pam Erven-Sukonik, Kari Ferguson, Katherine Fitzgibbon, Anna Haagenson, Maria Karlin, Emily Kinkley, Stephanie Kramer, Catherine van der Salm, Angela Westhoff-Johnson | C Minor | 0 | 5A | 123 BPM |
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