"Po zarostlém chodníčku - Series I: VI. Nelze domluvit!" by Leoš Janáček, Gianluigi Daniele was released on April 26, 2024. The duration of Po zarostlém chodníčku - Series I: VI. Nelze domluvit! is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Po zarostlém chodníčku - Series I: VI. Nelze domluvit!'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leoš Janáček, Gianluigi Daniele's "Leoš Janáček: Piano Works (On an Overgrown Path I, in the Mists, 1.X.1905)" album is number 6 out of 16. On top of that, Italy appears to be the country where this track was created. Po zarostlém chodníčku - Series I: VI. Nelze domluvit! is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Po zarostlém chodníčku - Series I: VI. Nelze domluvit! by Leoš Janáček, Gianluigi Daniele to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Janáček: On an Overgrown Path, Book II: No. 4, Piu mosso | Leoš Janáček, Piotr Anderszewski | B Major | 0 | 1B | 76 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
24 Preludes, Op. 37, BV 181: No. 15 in D-Flat Major | Ferruccio Busoni, Holger Groschopp | D♭ Major | 0 | 3B | 133 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Sonata in E Major, K. 380 | Domenico Scarlatti, Khatia Buniatishvili | B Major | 0 | 1B | 84 BPM | ||
Montero: Adagio (After Bach's Violin Concerto No. 2, BWV 1042) | Johann Sebastian Bach, Gabriela Montero | F♯ Minor | 0 | 11A | 73 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM |
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