Po zarostlém chodníčku - Series I: VI. Nelze domluvit!
Leoš Janáček, Gianluigi Daniele
Leoš Janáček: Piano Works (On an Overgrown Path I, in the Mists, 1.X.1905)
2:09 April 26, 2024
BPM
72
Key
A♭ Minor
Camelot
1A

Embed

Share Link

Po zarostlém chodníčku - Series I: VI. Nelze domluvit! - Leoš Janáček, Gianluigi Daniele Information

Acousticness
99%
Danceability
50%
Energy
2%
Instrumentalness
89%
Liveness
9%
Loudness
67%
Speechiness
7%
Valence
5%
Popularity
Loudness
-19.599 dB

Summary

"Po zarostlém chodníčku - Series I: VI. Nelze domluvit!" by Leoš Janáček, Gianluigi Daniele was released on April 26, 2024. The duration of Po zarostlém chodníčku - Series I: VI. Nelze domluvit! is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Po zarostlém chodníčku - Series I: VI. Nelze domluvit!'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leoš Janáček, Gianluigi Daniele's "Leoš Janáček: Piano Works (On an Overgrown Path I, in the Mists, 1.X.1905)" album is number 6 out of 16. On top of that, Italy appears to be the country where this track was created. Po zarostlém chodníčku - Series I: VI. Nelze domluvit! is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Po zarostlém chodníčku - Series I: VI. Nelze domluvit! BPM

We consider the tempo marking of Po zarostlém chodníčku - Series I: VI. Nelze domluvit! by Leoš Janáček, Gianluigi Daniele to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.

Po zarostlém chodníčku - Series I: VI. Nelze domluvit! Key

This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Janáček: On an Overgrown Path, Book II: No. 4, Piu mosso by Leoš Janáček, Piotr AnderszewskiJanáček: On an Overgrown Path, Book II: No. 4, Piu mossoLeoš Janáček, Piotr AnderszewskiB Major01B76 BPM
Berceuse, S. 174 by Franz Liszt, Benjamin GrosvenorBerceuse, S. 174Franz Liszt, Benjamin GrosvenorD♭ Major03B136 BPM
Three Romances for Violin and Piano, Op. 22: I. Andante molto by Clara Schumann, Esther Abrami, Iyad SughayerThree Romances for Violin and Piano, Op. 22: I. Andante moltoClara Schumann, Esther Abrami, Iyad SughayerD♭ Major23B81 BPM
24 Preludes, Op. 37, BV 181: No. 15 in D-Flat Major by Ferruccio Busoni, Holger Groschopp24 Preludes, Op. 37, BV 181: No. 15 in D-Flat MajorFerruccio Busoni, Holger GroschoppD♭ Major03B133 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits by Christoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraOrpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed SpiritsChristoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraD Minor17A67 BPM
Sonata in E Major, K. 380 by Domenico Scarlatti, Khatia BuniatishviliSonata in E Major, K. 380Domenico Scarlatti, Khatia BuniatishviliB Major01B84 BPM
Montero: Adagio (After Bach's Violin Concerto No. 2, BWV 1042) by Johann Sebastian Bach, Gabriela MonteroMontero: Adagio (After Bach's Violin Concerto No. 2, BWV 1042)Johann Sebastian Bach, Gabriela MonteroF♯ Minor011A73 BPM
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) by Clara Schumann, Sophie Kauer, Kunal Lahiry3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano)Clara Schumann, Sophie Kauer, Kunal LahiryD♭ Major03B68 BPM
Choral-Vatiationen: Var. I. In canone all'Ottava by Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale GentChoral-Vatiationen: Var. I. In canone all'OttavaIgor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale GentC Major18B93 BPM
Nocturne No. 1 in E Flat Major, H.24 by John Field, Elizabeth Joy RoeNocturne No. 1 in E Flat Major, H.24John Field, Elizabeth Joy RoeE♭ Major05B75 BPM
ISRC
ITLF52413729
Label
L-M Records/RCA Records

Section: 0.644385576248169

End: 0.6477112770080566