Mozart: Litaniae de venerabili altaris sacramento, K. 243: VI. Dulcissimum convivium (Soprano)
Wolfgang Amadeus Mozart, Barbara Hendricks, Sir Neville Marriner, Academy of St. Martin in the Fields
Mozart Sacred Arias
5:27 1987
BPM
100
Key
C Major
Camelot
8B

Embed

Share Link

Mozart: Litaniae de venerabili altaris sacramento, K. 243: VI. Dulcissimum convivium (Soprano) - Wolfgang Amadeus Mozart, Barbara Hendricks, Sir Neville Marriner, Academy of St. Martin in the Fields Information

Acousticness
98%
Danceability
23%
Energy
4%
Instrumentalness
1%
Liveness
6%
Loudness
65%
Speechiness
4%
Valence
9%
Popularity
Loudness
-21.192 dB

Summary

"Mozart: Litaniae de venerabili altaris sacramento, K. 243: VI. Dulcissimum convivium (Soprano)" by Wolfgang Amadeus Mozart, Barbara Hendricks, Sir Neville Marriner, Academy of St. Martin in the Fields was released on 1987. With this song being about 5 minutes long, at 5:27, "Mozart: Litaniae de venerabili altaris sacramento, K. 243: VI. Dulcissimum convivium (Soprano)" by Wolfgang Amadeus Mozart, Barbara Hendricks, Sir Neville Marriner, Academy of St. Martin in the Fields is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Enrique Bátiz, Sir Neville Marriner, Academy of St. Martin in the Fields's "Mozart Sacred Arias" album is number 8 out of 9. On top of that, France appears to be the country where this track was created. In terms of popularity, Mozart: Litaniae de venerabili altaris sacramento, K. 243: VI. Dulcissimum convivium (Soprano) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mozart: Litaniae de venerabili altaris sacramento, K. 243: VI. Dulcissimum convivium (Soprano) BPM

We consider the tempo marking of Mozart: Litaniae de venerabili altaris sacramento, K. 243: VI. Dulcissimum convivium (Soprano) by Wolfgang Amadeus Mozart, Barbara Hendricks, Sir Neville Marriner, Academy of St. Martin in the Fields to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Mozart: Litaniae de venerabili altaris sacramento, K. 243: VI. Dulcissimum convivium (Soprano) Key

The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) by Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano)Gabriel Fauré, Jesper Svedberg, Simon Crawford-PhillipsA Major011B79 BPM
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre by François Couperin, Iddo Bar-ShaïLe Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livreFrançois Couperin, Iddo Bar-ShaïC Major38B145 BPM
Flute Quartet in G Major, K. 285a: I. Andante by Wolfgang Amadeus Mozart, Ulf-Dieter Schaaff, Philipp Beckert, Andreas Willwohl, Georg BogeFlute Quartet in G Major, K. 285a: I. AndanteWolfgang Amadeus Mozart, Ulf-Dieter Schaaff, Philipp Beckert, Andreas Willwohl, Georg BogeG Major19B123 BPM
Premier Nocturne, Op. 22 by Charles-Valentin Alkan, Michael LandrumPremier Nocturne, Op. 22Charles-Valentin Alkan, Michael LandrumB Major01B135 BPM
Goldberg Variations, BWV 988: Var. 1 by Johann Sebastian Bach, Murray PerahiaGoldberg Variations, BWV 988: Var. 1Johann Sebastian Bach, Murray PerahiaG Major39B106 BPM
Messiah, HWV 56, Part I: Pastoral Symphony, Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski)George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José SerebrierC Major08B92 BPM
Violin Concerto No. 3 in G Major, K. 216: III. Rondeau: Allegro by Wolfgang Amadeus Mozart, Takako Nishizaki, Capella Istropolitana, Stephen GunzenhauserViolin Concerto No. 3 in G Major, K. 216: III. Rondeau: AllegroWolfgang Amadeus Mozart, Takako Nishizaki, Capella Istropolitana, Stephen GunzenhauserG Major19B119 BPM
Sonatina No. 1 in C Major, Op. 36: II. Andante by Lang LangSonatina No. 1 in C Major, Op. 36: II. AndanteLang LangF Major17B176 BPM
In the Steppes of Central Asia by Alexander Borodin, Royal Philharmonic Orchestra, Vladimir AshkenazyIn the Steppes of Central AsiaAlexander Borodin, Royal Philharmonic Orchestra, Vladimir AshkenazyA Major011B69 BPM
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen by Robert Schumann, Martha ArgerichKinderszenen, Op.15: 1. Von fremden Ländern und MenschenRobert Schumann, Martha ArgerichG Major09B128 BPM
ISRC
FRZ118703048
Label
L-M Records/RCA Records

Section: 0.7051284313201904

End: 0.7127091884613037