"Mozart: Litaniae de venerabili altaris sacramento, K. 243: VI. Dulcissimum convivium (Soprano)" by Wolfgang Amadeus Mozart, Barbara Hendricks, Sir Neville Marriner, Academy of St. Martin in the Fields was released on 1987. With this song being about 5 minutes long, at 5:27, "Mozart: Litaniae de venerabili altaris sacramento, K. 243: VI. Dulcissimum convivium (Soprano)" by Wolfgang Amadeus Mozart, Barbara Hendricks, Sir Neville Marriner, Academy of St. Martin in the Fields is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Enrique Bátiz, Sir Neville Marriner, Academy of St. Martin in the Fields's "Mozart Sacred Arias" album is number 8 out of 9. On top of that, France appears to be the country where this track was created. In terms of popularity, Mozart: Litaniae de venerabili altaris sacramento, K. 243: VI. Dulcissimum convivium (Soprano) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Litaniae de venerabili altaris sacramento, K. 243: VI. Dulcissimum convivium (Soprano) by Wolfgang Amadeus Mozart, Barbara Hendricks, Sir Neville Marriner, Academy of St. Martin in the Fields to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Flute Quartet in G Major, K. 285a: I. Andante | Wolfgang Amadeus Mozart, Ulf-Dieter Schaaff, Philipp Beckert, Andreas Willwohl, Georg Boge | G Major | 1 | 9B | 123 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Goldberg Variations, BWV 988: Var. 1 | Johann Sebastian Bach, Murray Perahia | G Major | 3 | 9B | 106 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Violin Concerto No. 3 in G Major, K. 216: III. Rondeau: Allegro | Wolfgang Amadeus Mozart, Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | G Major | 1 | 9B | 119 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM |
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