Domenico Dragonetti, Ubaldo Fioravanti, Padova e del Veneto Orchestra, Claudio Martignon made "Double Bass Concerto in G Major, D. 290: II. Allegretto" available on January 1, 1996. Since Double Bass Concerto in G Major, D. 290: II. Allegretto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 14 in Dragonetti: Double Bass Concerto / Works for Double Bass by Domenico Dragonetti, Ubaldo Fioravanti, Claudio Martignon. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Double Bass Concerto in G Major, D. 290: II. Allegretto is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Double Bass Concerto in G Major, D. 290: II. Allegretto by Domenico Dragonetti, Ubaldo Fioravanti, Padova e del Veneto Orchestra, Claudio Martignon is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clarinet Concerto No. 2 in E flat major Op.74: III: Alla polacca | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Major | 0 | 7B | 93 BPM | ||
Sonata 'a preghiera', MS 23 (Moses Fantasy) | Niccolò Paganini, Gabriele Pieranunzi, Salvatore Lombardo, Iona Stratulat, Luca Improta, Pierluigi Sanarica, Alessandro Mariani | C Major | 1 | 8B | 105 BPM | ||
Moj E Bukura More (Arr. Sollima) | Giovanni Sollima, Traditional, Il Pomo D'oro | B Major | 0 | 1B | 133 BPM | ||
String Trio: II. Scherzo - Vivo | Jean Françaix, Lendvai String Trio | G Major | 1 | 9B | 120 BPM | ||
7 Canciones espanolas (arr. for cello and guitar): Malaguena | Anonymous, Federico Moreno Torroba, Michael Kevin Jones, Agustín Maruri | D Major | 0 | 10B | 111 BPM | ||
O Causo da Mente Inquieta e da Quase Xícara de Chá | Gustavo Kudo, João Marcondes, a Trupe deCompositores | C Major | 0 | 8B | 105 BPM | ||
Solo de concert | Gabriel Pierné, Marc Trenel, Pascal Godart | F Major | 1 | 7B | 66 BPM | ||
Capuzzi: Concerto for Double Bass: II. Andante cantabile | Mark Morton | C Major | 0 | 8B | 64 BPM | ||
Schumann: 3 Romances for Oboe and Piano, Op. 94: No. 2, Einfach, innig | Robert Schumann, Albrecht Mayer, Markus Becker | A Major | 0 | 11B | 92 BPM | ||
Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM |
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