Wolfgang Amadeus Mozart, Yvonne Kenny/Alfreda Hodgson/Arthur Davies/Gwynne Howell/London Symphony Chorus/Northern Sinfonia Chorus/Northern Sinfonia of England/Richard Hickox, Alfreda Hodgson, Arthur Davies, Gwynne Howell, London Symphony Chorus, Northern Sinfonia Chorus, Yvonne Kenny, Richard Hickox, Royal Northern Sinfonia made "Mozart: Requiem in D Minor, K. 626: XII. Benedictus" available on August 2, 2004. With this song being about 5 minutes long, at 4:56, "Mozart: Requiem in D Minor, K. 626: XII. Benedictus" by Wolfgang Amadeus Mozart, Yvonne Kenny/Alfreda Hodgson/Arthur Davies/Gwynne Howell/London Symphony Chorus/Northern Sinfonia Chorus/Northern Sinfonia of England/Richard Hickox, Alfreda Hodgson, Arthur Davies, Gwynne Howell, London Symphony Chorus, Northern Sinfonia Chorus, Yvonne Kenny, Richard Hickox, Royal Northern Sinfonia is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Richard Hickox's "Mozart: Requiem" album is number 12 out of 14. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mozart: Requiem in D Minor, K. 626: XII. Benedictus is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Mozart: Requiem in D Minor, K. 626: XII. Benedictus by Wolfgang Amadeus Mozart, Yvonne Kenny/Alfreda Hodgson/Arthur Davies/Gwynne Howell/London Symphony Chorus/Northern Sinfonia Chorus/Northern Sinfonia of England/Richard Hickox, Alfreda Hodgson, Arthur Davies, Gwynne Howell, London Symphony Chorus, Northern Sinfonia Chorus, Yvonne Kenny, Richard Hickox, Royal Northern Sinfonia to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major | Franz Schubert, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM | ||
Violin Sonata No. 24 in F Major, K. 376 (arr. P. Gallois for flute and piano): II. Andante | Patrick Gallois, Wolfgang Amadeus Mozart, Maria Prinz | B♭ Major | 0 | 6B | 112 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Concerto No. 4 in G major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | F Major | 1 | 7B | 91 BPM | ||
Der Stein der Weisen, Act I: Duet. Tralleralara! Tralleralla! | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin Deas, Jane Giering-De Haan | E♭ Major | 2 | 5B | 77 BPM | ||
Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": II. Romanze: Andante | Wolfgang Amadeus Mozart, Capella Istropolitana, Wolfgang Sobotka | C Major | 0 | 8B | 143 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
Violin Concerto No. 5 in A Major, K. 219: II. Adagio | Wolfgang Amadeus Mozart, Joseph Joachim, Ossip Schnirlin, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 102 BPM |
Section: 0.7236595153808594
End: 0.7282204627990723