- BPM
- 88
- Key
- B Major
- Camelot
- 1B
Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi adagio - Franz Liszt, Robert Hart Baker, Richard Frank, Szeged Symphony Orchestra Information
- Acousticness
- 96%
- Danceability
- 25%
- Energy
- 1%
- Instrumentalness
- 88%
- Liveness
- 11%
- Loudness
- 42%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -34.507 dB
Summary
"Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi adagio" by Franz Liszt, Robert Hart Baker, Richard Frank, Szeged Symphony Orchestra was released on October 9, 2021. With this song being about 5 minutes long, at 4:38, "Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi adagio" by Franz Liszt, Robert Hart Baker, Richard Frank, Szeged Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 101 in the song's album "Study 101". In this album, this song's track order is #28. Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi adagio BPM
With Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi adagio by Franz Liszt, Robert Hart Baker, Richard Frank, Szeged Symphony Orchestra having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi adagio Key
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Rigaudons I, II & Double | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 3 | 12B | 106 BPM | |
 | Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | |
 | 6 Consolations, S. 172: No. 1 In E Major (Andante con moto) | Franz Liszt, Daniel Barenboim | A Major | 0 | 11B | 88 BPM | |
 | Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Alice Sara Ott | D♭ Major | 0 | 3B | 69 BPM | |
 | Nocturne No. 6 in F Major | John Field, Benjamin Frith | F Major | 0 | 7B | 71 BPM | |
 | 24 Preludes, Op. 11: No. 15 in D-Flat Major | Alexander Scriabin, Evgeny Zarafiants | D♭ Major | 0 | 3B | 69 BPM | |
 | 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | |
 | Mélodie, Op. 20, No. 1 | Alexander Glazunov, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 84 BPM | |
 | Carnival of the Animals, R. 125: Aquarium | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | A Minor | 0 | 8A | 81 BPM | |
 | Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.811530590057373
End: 0.8169472217559814