"Chi sà, chi sà, qual sia, K. 582" by Wolfgang Amadeus Amadeus, Lisette Oropesa, Il Pomo D'oro, Antonello Manacorda was released on July 5, 2021. The duration of Chi sà, chi sà, qual sia, K. 582 is about 3 minutes long, at 3:15. Based on our data, "Chi sà, chi sà, qual sia, K. 582" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "Ombra Compagna: Mozart Concert Arias". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Netherlands. Chi sà, chi sà, qual sia, K. 582 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Chi sà, chi sà, qual sia, K. 582 by Wolfgang Amadeus Amadeus, Lisette Oropesa, Il Pomo D'oro, Antonello Manacorda having a BPM of 41 with a half-time of 20 BPM and a double-time of 82 BPM, we would consider this track to have a Grave (very slow) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM | ||
Sinfonia in B-Flat Major: I. Adagio. Allegro | Theodor von Schacht, Evergreen Symphony Orchestra, Gernot Schmalfuss | F Major | 3 | 7B | 140 BPM | ||
Il turco in Italia, Act I: No mia vita, mio tesoro (Critical Ed. Margaret Bent) | Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | E Major | 3 | 12B | 130 BPM | ||
Armida, Atto primo Scena 3: Qual è la man che scuote (Coro di Demoni) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Chœur De Chambre De Namur | D♭ Minor | 3 | 12A | 142 BPM | ||
Two Gentlemen of Verona - Incidental Music: Who is Sylvia? | Henry Rowley Bishop, Susan Gritton, Andrew King, William Purefoy, Roderick Williams, Simon Grant, Musicians Of The Globe, Philip Pickett | E♭ Major | 1 | 5B | 77 BPM | ||
Mysliveček: L'Olimpiade: "Se cerca se dice" (Megacle) | Josef Mysliveček, Vaclav Luks, Raffaella Milanesi | G Minor | 1 | 6A | 108 BPM | ||
L'elisir d'amore / Act 2: "Come sen va contento" | Gaetano Donizetti, Enzo Dara, Kathleen Battle, Metropolitan Opera Orchestra, James Levine | C Major | 1 | 8B | 108 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Divinité de grandes âmes | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Franco Bonisolli | C Major | 2 | 8B | 127 BPM | ||
Christus am Ölberge, Op. 85: 6c. "Welten singen Dank und Ehre" | Ludwig van Beethoven, Wiener Symphoniker, Bernhard Klee, Wiener Singverein, Helmut Froschauer | C Major | 3 | 8B | 106 BPM | ||
Das listige Bauernmädchen: No. 16b, Menuetto moderato | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM |
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