Franz Schubert, Radu Lupu's '6 Moments Musicaux, Op. 94 D.780: No. 1 in C Major (Moderato)' came out on January 1, 1982. 6 Moments Musicaux, Op. 94 D.780: No. 1 in C Major (Moderato) is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Schubert: 6 Moments Musicaux; Piano Sonata in C minor, D958". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. 6 Moments Musicaux, Op. 94 D.780: No. 1 in C Major (Moderato) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Moments Musicaux, Op. 94 D.780: No. 1 in C Major (Moderato) by Franz Schubert, Radu Lupu having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Nisi Dominus, RV 608 - Arr. Cello: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Fruhlingsglaube, Op. 20: No. 2 (Faith in Spring, Arr. Solo Piano by Liszt) - Duo-Art 5900 | Franz Schubert, Aurelio Giorni, Peter Phillips | A♭ Major | 0 | 4B | 66 BPM | ||
Schubert / Transcr. Tharaud: Rosamunde, Op. 26, D. 797: No. 6, Entr'acte No. 3 | Franz Schubert, Alexandre Tharaud | B♭ Major | 1 | 6B | 79 BPM | ||
Thaïs: Médiation | Jules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence Foster | D Major | 0 | 10B | 91 BPM | ||
Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 80 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM |
Section: 0.6902565956115723
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