"Playing for Our Lives: I. Beryozkele" by Gerald Cohen, Cassatt String Quartet was released on July 28, 2023. Since Playing for Our Lives: I. Beryozkele is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gerald Cohen, Cassatt String Quartet's "Gerald Cohen: Voyagers" album is number 5 out of 8. On top of that, United States appears to be the country where this track was created. Playing for Our Lives: I. Beryozkele is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Playing for Our Lives: I. Beryozkele by Gerald Cohen, Cassatt String Quartet to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Panis Angelicus - Bonus Track | Herman Finkers, Cappella Amsterdam, Holland Baroque, Daniel Reuss | F♯ Major | 1 | 2B | 81 BPM | ||
Te deum, LWV 55: XIV. Miserere nostri Domine, miserere nostri | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Sieh, Wie Ist Die Welle Klar | Georg Friedrich Daumer, Johannes Brahms, One Voice Mixed Chorus, Jane Ramseyer Miller | E♭ Major | 0 | 5B | 115 BPM | ||
Joy: Joy | Margaret Bonds, Conspirare, Carla McElhaney, Craig Hella Johnson | F Major | 3 | 7B | 123 BPM | ||
A Child of our Time, Part I: Is evil then good? (Alto, Chorus) | Michael Tippett, Sarah Connolly, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Sogno D'or | Giacomo Puccini, Cheri Rose Katz, Alan Mallach | A Major | 2 | 11B | 153 BPM | ||
Hidden Faces | Karl Jenkins, Kathryn Rudge, World Orchestra For Peace | D♭ Major | 2 | 3B | 93 BPM | ||
Preces and Responses | Joanna Forbes L'Estrange, London Voices, Grace Davidson, Ben Parry | D Major | 1 | 10B | 80 BPM | ||
When Saul was king: I. When Saul was king over us | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | A Major | 1 | 11B | 170 BPM | ||
Trois mélodies, Op. 8: No. 3, Ici-bas! | Dilyana Georgieva, Galina Apostolova | C Minor | 3 | 5A | 168 BPM |
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